James Cagney and Humphrey Bogart traded in their tommy guns for six-shooters in THE OKLAHOMA KID. The film moves like a serial, going swiftly from one set-piece to the next. The plot’s your standard cowboy outing, but what makes THE OKLAHOMA KID so much fun is seeing the two great gangster stars going through their paces in a Western setting.
When the Oklahoma land rush is opened, Whip McCall (Bogart) and his gang decide to rob the stagecoach carrying newly minted silver to pay the Cherokee Nation. The Oklahoma Kid (Cagney), a free-spirited rascal, beats them to the punch. The Kid enters a camp where he meets Judge Hardwick (Donald Crisp) and his pretty daughter Jane (Rosemary Lane). Jane’s beau, Ned Kincaid (Harvey Stephens), knows something about the Kid’s mysterious past. McCall then puts a “sooner” claim on a parcel of land that becomes Tulsa. The town is wide open thanks to McCall, now running the saloon and gambling joint. The concerned citizens decide to take on the racketeers, I mean outlaws, by running Ned’s dad John Kincaid (Hugh Southern) for mayor. McCall frames Kincaid for murder, then tricks Judge Hardwick into going to Kansas City, setting up his own corrupt judge to preside at the trial. Jane sends The Kid to fetch him back, but it’s too late. The hand-picked jury has found Kincaid guilty.
The Kid decides he’s going to bust Kincaid out of jail, but the old man won’t go with him, preferring law and order over anarchy. McCall incites a lynch mob to grab Kincaid and they hang him high. The truth is now revealed: The Kid is Kincaid’s son! He tracks down and kills McCall’s gang except for Doolin (Edward Pawley), who confesses McCall gave the order for the frame-up and lynching. Meanwhile, Ned has been named U.S. Marshall and goes to arrest McCall. The villain gut-shoots Ned, then engages in a wild brawl with The Kid. McCall’s about to finish The Kid off when Ned, in a last desperate act, shoots the bad guy down, thus saving his wayward brother before he dies.
Cagney’s Oklahoma Kid is a smiling, swaggering maverick who has no use for “civilization” (and he explains why in a well-written, libertarian speech to Judge Hardwick). He’s a charming rogue of an outlaw, and his portrayal of The Kid is fun to watch. Cagney even gets to sing a tune (“I Don’t Want To Play In Your Yard”) during the course of the action. Bogart plays his usual slimy bad guy as McCall, dressed all in black and ordering around his minions. The cast is full of Western veterans (Ward Bond, George Chesebro, Bob Kortman, Al Bridge), and director Lloyd Bacon keeps things moving along. Max Steiner’s music helps set the mood, and the cinematography of legendary James Wong Howe adds greatly to the overall atmosphere. THE OKLAHOMA KID is a fun movie to watch, made even more fun by the presence of Cagney and Bogart out of their gangster element.