No matter how many times it’s remade, no matter what new technology’s available, the original 1933 KING KONG will never be topped. The story’s familiar to horror lovers: Showman Carl Denham (Robert Armstrong) charters the ship Venture to take him to the unchartered Skull Island. He scours New York to find a “love interest” for his next picture. Finding down on her luck gal Ann Darrow (Fay Wray) trying to steal an apple, he offers her a chance for “money and adventure and fame….the thrill of a lifetime”. Denham’s brainstorm is to travel to the island to capture pictures of Kong, a beast that Captain Englehorn (Frank Reicher) thinks is just “some native superstition”. First Mate Driscoll (Bruce Cabot) is reluctant to have a woman on board, but soon warms up to her. They arrive at the island to observe the natives performing a strange ritual. A young native girl is being adorned with flowers. When they spy the white Ann, the chieftan (Noble Johnson) offers to buy her. The crew refuses, but the natives sneak onboard in the dead of night and capture Ann.
When Charlie the cook (Victor Wong) finds a native bracelet on deck, Denham and the crew go ashore. Ann’s been tied to an altar behind the massive locked gate. The natives climb up the wall to wait for the arrival of…KONG! A giant ape appears and grabs Ann into the jungle. Denham, Driscoll, and some crew members go in hot pursuit, encountering monsterous dinosaurs along the way. Kong ends up killing all save for Driscoll and Denham. The mighty beast is downed by “gas bombs”, and carted away to New York.
Denham stages a Broadway showing of “King Kong, The Eighth Wonder of the World”. The theater’s jam packed with curiosity seekers. The press is on hand, eager to see the beast. Kong is presented onstage in chains, in what reminds one of a crucifixion pose. When the photographers take picture, their flashbulbs disturb the ape and he breaks free. Pandemonium erupts as King Kong is loose in New York City. Snatching Ann through a window, Kong climbs to the top of the Empire State Building. Airplanes are sent to strafe Kong, machine guns a-blazing, and the great ape topples to his doom. Carl Denham gets the last words, sorrowfully stating, “It was beauty killed the beast”.
Co-directors Merian C. Cooper and Ernest B. Schoedsack keep the story moving along at a fine clip, aided immensely by Max Steiner’s score. Willis O’Brien’s stop-motion special effects hold up very well, and the matching shots of Kong with the actors are well integrated. Kudos should also go to Murray Spivak and the sound department, which adds to the excitement. Eagle-eyed film fans will be able to spot James Flavin, Roscoe Ates, Dick Curtis, Charlie Hall, Syd Saylor, and Sam Levine in small roles. Cooper and Schoedsack even have cameos as the pilot and gunner who take down Kong. KING KONG has stood the test of time, and is a bonafide classic that never fails to thrill viewers of all ages. A perfect way to spend a Halloween evening.