Steampunk Disney: 20,000 LEAGUES UNDER THE SEA (Walt Disney Productions 1954)

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When TCM aired this movie last week, I just had to watch. It was one of my favorites as a kid, and I was curious to see how well it held up with the passage of time. To my delight, 20,000 LEAGUES UNDER THE SEA is even more enjoyable in adulthood, a joyous sci-fi adventure film thanks to the fine cast and the genius of Walt Disney.

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Based on the Jules Verne novel, 20,000 LEAGUES UNDER THE SEA takes us back to 1868, where rumors of a sea monster attacking ships are running rampant. Eminent scientist Professor Aronnax and his protégé’ Counseil are invited to join a voyage to investigate the matter, along with the free-spirited harpoonist Ned Land. They encounter the beast and are shipwrecked, only to discover the monster is actually a fantastic, futuristic submarine, The Nautilus. The sub is commanded by Captain Nemo, who picks up Aronnax, Counseil, and Ned and makes them his prisoners. The Nautilus takes the trio on a fantastic journey to the undersea kingdom, where they encounter everything from cannibalistic headhunters on an unchartered island to a giant squid that attacks the submarine during a gale-force storm.

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The four leads are in top form, especially Kirk Douglas as the rowdy Ned Land. Kirk has a ball playing the rambunctious sailor, and even gets to sing a song, “A Whale of a Tale”. Paul Lukas (Oscar winner for WATCH ON THE RHINE) adds dignity to the part of Professor Aronnax and Peter Lorre is sarcastically funny as his sidekick Counseil. James Mason cuts a fine figure as Nemo, the anti-war warrior. Nemo’s a conflicted character; abhorring violence and wishing only to live in peace beneath the sea, yet attacking ships and sending their crews to a watery grave. Of all the screen versions of Verne’s Nemo (Herbert Lom, Robert Ryan, Omar Sharif et al) Mason is by far the best. And let’s not forget Esmerelda, Nemo’s trained seal who bonds with the boisterous Ned.

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This was Disney’s fifth live-action film (the first was 1950’s TREASURE ISLAND) and first under the Buena Vista Distribution banner. To direct, Disney hired Richard Fleischer , son of his former animation rival Max Fleischer (POPEYE THE SAILOR, BETTY BOOP, GULLIVER’S TRAVELS). The younger Fleischer handles the material well, from a script by Earl Fenton. He had directed several highly regarded noirs (ARMORED CAR ROBBERY, THE NARROW MARGIN) before taking on this big-budget adventure, and split the remainder of his career between crime dramas (COMPULSION, THE BOSTON STRANGLER, MR. MAJESTYK) and fantasies (FANTASTIC VOYAGE, DOCTOR DOOLITTLE, SOYLENT GREEN, CONAN THE DESTROYER, RED SONJA).

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20,000 LEAGUES UNDER THE SEA won Academy Awards for Art Direction and Special Effects. The breathtaking underwater sequences were shot mostly off the coast of Nassau, and involved over 30 crew members to film. The giant squid scene features a larger than life animatronic monster, and still looks better than any CGI- created creature today (don’t get me started!). Walt Disney put together a masterpiece of sci-fi cinema that has indeed stood the test of time, as enjoyable now as when it was first released in Technicolor and CinemaScope. One of the all-time classic adventures of the screen, 20,00 LEAGUES UNDER THE SEA belongs in every film fanatic’s collection.

 

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11 Replies to “Steampunk Disney: 20,000 LEAGUES UNDER THE SEA (Walt Disney Productions 1954)”

  1. This is one of my all-time favorites, too. I only wish I could see it again in the original Cinemascope, which turned it into an experience, rather than “just a film.”

    When Cinemascope was THE big deal (literally), I always sat very near, or in the front row, middle, which meant I had to look from side to side to watch the film, feeling like I was actually in it. Oh, the simple joys of youth!

    And I agree with Gary’s opinions about the quality of old but well-done “real” special effects versus the recent spate of so-so and often way over-the-top CGI.

    Liked by 1 person

    1. I wish I could see this on the big screen! And yes, the older stop-motion special effects are better than CGI. It just looks too artificial, too like a video game. Give me Ray Harryhausen any day of the week!!

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  2. I’ve been wanting to watch this for a months now. I used to watch it on the Disney Channel when I was a little kid and it used to be good. The only thing I remember is Kirk’s song. Now I know Peter Lorre is in this, I need to get on the ball.

    Liked by 1 person

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