“People don’t go to the movies to see how miserable the world is; they go there to eat popcorn, be happy“- Wynton (Jim Backus) in HIS KIND OF WOMAN
Right you are, Mr. Howell, err Backus. There’s an abundance of fun to be had in HIS KIND OF WOMAN, the quintessential RKO/Robert Mitchum movie. Big Bob costars with sexy Jane Russell in a convoluted tale that’s part film noir, part Monty Python, with an outstanding all-star cast led by Vincent Price serving up big slices of ham as a self-obsessed movie star. And the backstory behind HIS KIND OF WOMAN is as entertaining as the picture itself!
But we’ll go behind the scenes later. First, let’s look at the movie’s plot. We meet down on his luck gambler Dan Milner (Mitchum) in a bar…. drinking milk! Dan just got done doing a 30 day stretch in a Palm Springs jail “for nothin'” (an in-joke reference to Mitchum’s 1948 pot bust ). He returns to his apartment only to be greeted by three goons, who promptly beat the crap out of him. He’s made an offer he can’t refuse to clear his debt: accept $50,000 and move to Mexico for a year, no questions asked. Dan’s no dummy; he takes the offer.
What he doesn’t know is that deported vice lord and “upper crust crumb” Nick Ferraro (bulky Raymond Burr) plans to hijack Dan’s identity and return to the states. While Dan waits for his plane at a crummy cantina, he meets songbird Leonore Brent (Russell):
The heat is on between Dan and Leonore, and their sexually charged banter crackles throughout the film. Leonore is heading to the same place as Dan: Morro’s Lodge, a swanky hotspot for the idle rich. It’s here we meet our cast of characters, none of whom are what they seem. There’s Morro (Phillip Van Zandt), who’s comfortable on both sides of the fence, Krafft (John Mylong) a chess playing writer with a past, Wynton (Backus) a cheery sort who likes to play cards and hustle young women, and Thompson (Charles McGraw ), who’s mixed up in Dan’s deal.
Then there’s Hollywood actor Mark Cardigan, played by the one and only Vincent Price, and he’s a hoot. Price has a field day as the vain blowhard in the Errol Flynn mold (when his latest swashbuckler is screened, a wag says, “It has a message no pigeon would carry”). His Cardigan has a thing going on with Leonore, that is until his wife (Marjorie Reynolds) shows up to put a halt to it. Whether spouting Shakespeare or rousing up a rescue party, Price shamelessly steals every scene he’s in. It’s probably his best non-horror role, and he plays it up for all he’s worth.
Back to the story: Dan’s biding his time, waiting to get paid off, while Krafft and Thompson are always lurking in the background. A hurricane is brewing, and a drunken pilot (Tim Holt) barrels through it. But he’s not really a lush, he’s Federal agent Lusk, and he spills the beans to Dan about Ferraro’s scheme to make a patsy out of Dan. Lusk is killed by Thompson, Dan’s kidnapped by Ferraro’s goons, and taken to the gangster’s yacht to await certain doom. Macho man Cardigan leads the Mexican police on a raid, and a battle ensues. Dan finally breaks free in time to save Cardigan from Ferraro, and the good guys are victorious! Dan and Leonore get together at last and have the final say in a memorably STEAMY ending!
That ending wasn’t the one concocted by credited writers Frank Fenton and Jack Leonard and director John Farrow. They weren’t even involved in it. RKO studio boss Howard Hughes wasn’t satisfied with the conclusion, feeling it wasn’t exciting enough. Hughes hired director Richard Fleischer and writer Earl Fenton, who’d just wrapped up filming on another RKO noir, THE NARROW MARGIN. The three brainstormed a new ending, building a replica of Ferraro’s yacht inside the studio’s water tank for the added action. This put the film way behind schedule, but there was more to come. When Hughes viewed the footage, he decided the actor playing Ferraro (Robert J. Wilke, later Captain Nemo’s first mate in Fleischer’s 20,000 LEAGUES UNDER THE SEA ) wasn’t appropriately menacing enough. Recalling seeing Raymond Burr in another film, Hughes recast the role, and Fleischer had to reshoot all the scenes featuring Ferraro!
Hopelessly over budget due to Hughes’ tinkering, HIS KIND OF WOMAN lost money at the box office. Today aficionados see it as a camp classic, a romp through film noir territory unlike any other of its day. Mitchum and Russell make an attractive screen team, Price is a riot, and the rest of the cast is more than up to par. Familiar Face spotters will want to keep their eyes peeled for Tol Avery, Danny Borzage, Anthony Caruso, Robert Cornthwaite, King Donovan, Paul Frees, and Carlton Young, not to mention a very young Mamie Van Doren. There’s no other film in the noir canon quite like HIS KIND OF WOMAN, so put it on your must-watch list today.