Double Dynamite: Robert Mitchum and Jane Russell in MACAO (RKO 1952)

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Even though 1951’s HIS KIND OF WOMAN lost money (mainly due to studio boss Howard Hughes’ meddling), Robert Mitchum and Jane Russell were reteamed the following year in MACAO. The film was actually sitting on the RKO shelf, having been completed in 1950. Once again, the autocratic Hughes wasn’t pleased with the original version, and fired credited director Josef von Sternberg, replacing him with Nicholas Ray. Mitchum himself even contributed to rewriting some scenes. The result is an entertaining noir that, while not quite as good as HIS KIND OF WOMAN, still manages to hold your interest.

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On a boat from Hong Kong, drifter Nick Cochran (Mitchum) meets grifter Julie Benson (Russell), who lifts his wallet. The pair also meet Lawrence C. Trumble (William Bendix), a salesman specializing in “nylons, pearl buttons, coconut oil, and fertilizer”.  The three are headed to Macao, “The Monte Carlo of the Orient” (actually the RKO backlot), for various reasons. Julie gets a job as a singer working for crime lord Vince Halloran (Brad Dexter):

Halloran’s got the local cops (led by Thomas Gomez) in his hip pocket. He’s also got a moll named Margie (the always welcome Gloria Grahame ), who’s jealous of his attention to Julie. Nick’s looking for work, too, but Halloran doesn’t trust him. He thinks Nick’s a New York cop trying to extradite him. Salesman Trumble has a deal for Nick to make some dough: he’s got a hot diamond necklace stashed in Hing Kong, and will cut Nick in on the deal if Nick can arrange for Halloran to buy it. This sets in motion plenty of trouble for all involved, but have no fear! Things turn out well in the end, and Nick winds up with Julie (like you just knew he would!)

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I liked MACAO, but not as much as HIS KIND OF WOMAN. The team of Mitchum and Russell still crackles with sexual heat, the supporting cast is good, and the movie’s exciting enough. There’s a reason it sat on the shelf for two years, and I think I know what it is: the movie feels like they just lost interest and gave up on it about halfway through. Kind of like I’m doing here with this review.  It’s not the best, not the worst either. It’s kind of an average RKO/Mitchum entry, but that’s still better than a lot of films of that era. I’d watch it again, and if you get the chance, give it a try. You can do a lot worse than seeing Mitchum and Russell go at it again!

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