I’ve never seen any of those FAST AND FURIOUS movies with Paul Weller, Vin Diesel, and The Rock (yeah I know, Dwayne Johnson, but he’ll always be The Rock to me). Nope, not even one. I just never had much interest in them. I’d heard of the 1955 THE FAST AND THE FURIOUS, an early Roger Corman production, but never watched it either, until now. Seems I wasn’t missing anything.
THE FAST AND THE FURIOUS is Corman’s second film as producer, and first release for American International Pictures, under the moniker American Releasing Corporation. It’s an inauspicious debut for the company, to put it mildly. The story concerns escaped con Frank Webster, who kidnaps sports car racer Connie Adair and her white Jaguar (which is a nice car, by the way). They bicker with some tough-talking dialogue, as Frank plans on crossing the border to Mexico by driving the Jag in a road race to Mexico. The movie only comes to life during the racing scenes at the end. Otherwise, it’s pretty dull going.
Corman wrote the story because of his love for racing. Allegedly, he does the driving of the car racing neck and neck with Webster. Corman got John Ireland to star as Webster by promising him the chance to codirect. Ireland handled the dramatic scenes, while editor Edwards Sampson did the racing action. It’s Ireland’s second stint as a director. Not surprisingly, he didn’t get a third. Roger Corman figured he could do much better, and took the director’s chair for his next film FIVE GUNS WEST, beginning a long and prosperous career.
Dorothy Malone adds sex appeal as Connie, if nothing else. Not her fault, as the script isn’t all that good. Iris Adrien, the poor man’s Joan Blondell, as a bit as a brassy diner waitress. Corman regulars Bruno Ve Soto and Joanthan Haze appear, as does Roger in a Hitchcockian cameo as a state trooper. Silent comedy star Snub Pollard has a role as a caretaker. Hmmm, what else… oh, did I mention the racing scenes are cool?
As you can probably tell, I wasn’t very impressed with THE FAST AND THE FURIOUS. It’s historically important as AIP’s first film, and Roger’s second, but it’s lackluster thanks mainly to Ireland’s uninspired direction. Maybe I should give those newer FAST AND FURIOUS flicks a chance. What do you think, Rock?