Readers of this blog know CASABLANCA is my all-time favorite movie, but THE ADVENTURES OF ROBIN HOOD is definitely in the Top Ten, maybe even Top Five (I’d have to think about it… sounds like a future post!). The story’s been told on-screen dozens of times, from the silent 1922 Douglas Fairbanks swashbuckler to Disney’s 1973 animated version to the recent Russell Crowe/Ridley Scott offering. But it’s this 1938 classic that remains definitive, thanks to a marvelous cast, breathtaking Technicolor, and the greatest cinematic swordfight in history.
You all know the legend of Robin Hood by now, so no need for a recap. Instead, I’ll go right into what makes this film so great, starting with Errol Flynn as the brave Sir Robin of Locksley. Flynn was at the peak of his career here, after starring in such action-packed hits as CAPTAIN BLOOD , THE CHARGE OF THE LIGHT BRIGADE, and THE PRINCE AND THE PAUPER. The dashing Australian’s charisma jumps through the screen in scene after scene, and his athletic performance is a joy to behold. Maid Marion puts it best when she says, “He’s brave and he’s reckless, yet he’s gentle and kind”.
Marion of course is Olivia de Havilland , in the third of her eight films with Flynn. Olivia was 22 at the time, and this film cemented her status as a movie star. Lady Marion Fitzwalter isn’t just some stereotypical damsel in distress. A haughty noblewoman at first, looking down her nose at the outlaw Robin, she soon has a change of heart when she sees firsthand the plight of the oppressed Saxons. Marion aids in freeing Robin from the gallows, and is imprisoned for her troubles. Her love scenes with Errol are electricifying; you can see the warmth they have for each other in their eyes.
Basil Rathbone is at his evil best as Sir Guy of Gisbourne. He’s just so despicable, I can just imagine the booing and hissing of 1938 audiences. Imperious, full of himself, conniving, and deceitful, Rathbone is the baddest of screen bad guys here. Both Rathbone and Flynn were accomplished fencers, and their climactic duel to the death may very well be the most exciting three minutes in Hollywood history. Basil’s matched in the villain department by Claude Rains’ Prince John, the effeminate usurper to his brother Richard’s throne. Both men were among the greatest actors of Hollywood’s Golden Age, and together they’re a terrific pair of foils for the jaunty Flynn.
Let’s not forget Robin’s Merry Men, consisting of a fine cast of character actors. Patric Knowles makes a charming Will Scarlet, ever loyal to Robin. Alan Hale Sr., an offscreen pal of Flynn, is just right as Little John, and their first meeting battling with staffs over who’s going to cross that log is just one of many memorable moments. Gruff voiced Eugene Pallette gives a rowdy edge to Friar Tuck, who also meets Robin under not the best of circumstances. Even Herbert Mundin (Much the Miller) and Una O’Connor (Marion’s handmaiden Bess), both of whom I usually find annoying, are welcome additions to the cast.
Familiar Face spotters will want to catch Ian Hunter as good King Richard, and Melville Cooper as the rotten Sheriff of Nottingham. Look closely for Lionel Belmore, Harry Cording, Frank Hagney, Holmes Herbert, Carole Landis, Lester Matthews, and Leonard Mudie. Oh, and there’s another star appearing in this: Roy Rogers’ horse Trigger, as Marion’s steed!
Michael Curtiz took over the directorial reigns from William Keighley, though both receive screen credit. Curtiz was Warner’s go-to guy, and doesn’t get the recognition he deserves. The fact is, this is the man who directed CASABLANCA, ANGELS WITH DIRTY FACES, CAPTAIN BLOOD, MYSTERY OF THE WAX MUSEUM , THE SEA HAWK, YANKEE DOODLE DANDY, MILDRED PIERCE, LIFE WITH FATHER, and WHITE CHRISTMAS, among many others. I’ve said it before: anyone with that kind of resume deserves to belong in the conversation of all-time great directors. Period.
The stirring score by film music pioneer Erich Wolfgang Korngold won an Oscar, as it should have. It’s one of Hollywood’s most exciting pieces of music, and can be enjoyed without the movie. Indeed, it’s been played by numerous symphonies for decades now. The art direction (Carl Jules Weyl) and editing (Ralph Dawson) also won Oscars, and the costumes by Milo Anderson and cinematography by Tony Gaudio should have. Norman Reilly Raine and Seton I. Miller crafted the perfect action script, well-balanced with humor and romance. Producer Hal Wallis does his usual meticulous job getting every detail right, and the Technicolor is bright and vivid. If you want to turn young kids on to classic films, this is the one to show them.
THE ADVENTURES OF ROBIN HOOD is for kids of all ages, from five to ninety-five. It’s must viewing for lover’s of classic film, and as close to perfection as a movie can get. This enduring film has passed the test of time, and will be remembered and viewed as long as there are movie lovers left alive. Don’t miss it!