After the huge international success of his A FISTFUL OF DOLLARS , Sergio Leone was red hot. Another Spaghetti Western was hastily written by Leone and Luciano Vincenzoni (and an uncredited assist from Sergio Donati), but FOR A FEW DOLLARS MORE is pure Leone, from the visual style to the bits of humor interspersed between the violence. Clint Eastwood returned as The Man With No Name, paired this time with veteran Western heavy Lee Van Cleef as the beady-eyed Colonel Mortimer.
Eastwood’s character (briefly referred to as ‘Manco”) is a fast-drawing bounty hunter. He’s interested in the $10,000 reward for escaped killer/outlaw Indio. Mortimer is also interested in Indio, but has another motive: a young Indio raped his sister, resulting in her suicide during the act. The two meet up in El Paso, where Indio plans to rob the bank’s estimated one million dollars, kept in a secret cabinet. Manco and Mortimer engage in pissing contest in the street, shooting each other’s hats, but soon form an uneasy alliance to split the reward money. Manco infiltrates Indio’s gang, but the robbery is successful. Mortimer shows up as a safecracker willing to help for a price, followed by treachery at every turn until the final shootout between Mortimer and Indio, filmed as a warmup to the more heralded scene in THE GOOD, THE BAD, AND THE UGLY.
Lee Van Cleef became a star at age 40 thanks to this film. The actor had struggled for years in Hollywood, playing Western henchmen (HIGH NOON, THE MAN WHO SHOT LIBERTY VALANCE), noir goons (KANSAS CITY CONFIDENTIAL), even sci-fi villains (IT CONQUORED THE WORLD), but after an uncredited role in 1962’s all-star HOW THE WEST WAS WON, he was absent from the big screen until Leone came calling. From the opening panoramic shot of him nailing a rider with his rifle, Van Cleef’s persona as one scary dude not to be messed with was established. Suddenly, after all the struggles, he was a star, and made Spaghetti Westerns right until the craze died down in the 1970’s. Van Cleef continued to work steadily in films, from his role in John Carpenter’s ESCAPE FROM NEW YORK to costarring in the television ninja series THE MASTER, right up until his death in 1989.
Gian Maria Volonte (Ramon Rojos in A FISTFUL OF DOLLARS) plays Indio as the meanest, craziest bandito the West has ever seen. This nut makes Liberty Valance look like a boy scout! He’s always smoking weed to obliterate the memory of what happened that night with Mortimer’s sister, and carries a chiming pocketwatch with her picture (Mortimer has one, too). Many of the cast of Leone’s previous film appear, as does another Familiar Face: German actor Klaus Kinski, making his Spaghetti debut as the hunchbacked outlaw Wild.
Ennio Morricone’s music is back, a staple of these films. The hauntingly whistled theme, with it’s by now familiar whipcracks and wordless chorus, is a classic in its own right. The camerawork by Massimo Dallamano, a standout in FISTFUL, is excellent, guided by Leone’s painterly eye. FOR A FEW DOLLARS MORE was another worldwide hit, but like it’s predecessor not released in the U.S. until 1967. Leone’s next film would be what I consider his greatest, the final chapter in the Dollars Triolgy, THE GOOD, THE BAD, AND THE UGLY.
(to be continued… )
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