The drama continues: I received a call from FedEx about the status of my new DirecTV receiver (the old one being fried beyond repair) . The new box is now sitting in a warehouse, undeliverable because DIRECTV GAVE THEM THE WRONG ADDRESS!! You’d think after almost two years they’d have my address, right? Wrong! FedEx told me I have to call DirecTV and have them fix the address or drive an hour out of my way to pick it up myself. So I proceeded to call the corporate beast and was transferred to a woman who barely spoke English, gave her all my information, then was transferred to another woman who spoke even worse English and repeated the process all over again! After a half hour of this nonsense, I was then told I’d have to wait an additional 3-5 days before my new box arrives… hopefully at the right address! ARRRGGGGHH!!!!
Not wanting to keep you all waiting, I went back down into the dusty VHS vault to search for a movie, and came up with something interesting. Not necessarily good, mind you, but interesting. It’s THE VIOLENT YEARS, a 1956 “girl gang” drama in the style of HIGH SCHOOL HELLCATS. The interesting part is this one was written by everyone’s favorite low-budget auteur, the one and only Edward D. Wood, Jr! Ed isn’t in the director’s chair however, that honor goes to William Morgan, known for… well, not much. This is probably his best-known credit.
My copy of THE VIOLENT YEARS is a 1987 Rhino Video release, part of a series called “Teenage Theater” and hosted by the immortal Mamie Van Doren, who made quite a few of these “girls gone bad” flicks. “Teenage Theater” shed the spotlight on movies about (according to the goofy doo-wop theme song) “wigged out biker babes”, “slick chicks in chains”, “motorcycle madmen”, and “starlets starved for sex”. Mamie gives us some dope on the upcoming movie from a 50’s style soda shoppe, all dolled up in a polka-dot outfit. She was 57 at the time, and still looked pretty hot…
…and she ain’t half-bad today at 87! Anyway, after Mamie does her schtick, we get down to business with THE VIOLENT YEARS. It’s the sordid saga of Paula Parkins (former Playmate Jean Moorhead), whose parents are too busy (dad’s a newspaper editor, mom’s involved with various charities) to figure out 18-year-old Paula is the leader of a Gang of Four female delinquents responsible for a series of robberies in town. We see them in action as, masked with bandanas, they hold up a gas station, then attack a couple on Lover’s Lane, making the girl strip down to her lingerie (exploitation films gotta have a strip scene!), tie her up (exploitation films gotta have a bondage scene!), then take the young man into the woods and (it’s implied) force him to have a gangbang! How that works, I’m not quite sure.
Paula and her pals fence their ill-gotten goods with Sheila, who hires them to trash their school, telling Paula “don’t worry if a few flags get destroyed in the process. Let’s just say it’s part of a well-organized… foreign plan!” Commie bastards! But first, there the obligatory “wild party” scene, consisting of some booze, cigarette smoking, and heavy necking. Reporter Barney Stetson (one of Wood’s best character names!) drops by with Paula’s present, observes the wicked goings-on, and his spidey sense starts tingling. He ends up decking Paula’s date, a greasy reprobate who cleans his fingernails with a switchblade!
It’s now time for the gang to commence on their Commie-funded mission, and they get their kicks wrecking a classroom, but the noise has brought the cops. Paula and the gang then engage in a blazing shootout with the coppers, where two of them wind up dead, and Paula kills a cop! Taking it on the lam, they head to Sheila’s place, and when Paula tells her they offed a cop, Sheila threatens to call the police herself. So Paula, already a murderess, shoots Sheila. But the cops are on Paula’s trail, and a chase ensues in which Paula crashes into a plate-glass window, killing her last remaining friend. Now locked in the jail hospital ward, and pregnant to boot (from the gangbang?), Paula is sentenced to life in prison, and the neglectful parents are denied the right to adopt their granddaughter by Judge Clara, who in typical Wood fashion delivers not one, but two clunky soliloquies as only Ed Wood could write ’em!!
Mamie returns with a coda to end the tape, and we get the cheezy “Teenage Theater” theme once again. THE VIOLENT YEARS doesn’t have much star power, though Wood aficionados will recognize Timothy Farrell from GLEN OR GLENDA and JAIL BAIT. Western buffs will know I. Stanford Jolley as the judge; he usually wore a black hat as a B villain. Barney Stetson is played by Glen Corbett, not to be confused with Glenn Corbett, actor in HOMICIDAL and CHISUM. None of the acting is particularly good, anyway. Truthfully, beside the fact that Ed Wood wrote the script, there’s not a whole lot to recommend here. I pretty much enjoyed watching it backwards while rewinding the tape as I did watching it unfold properly, maybe more so. But hey, a film blogger’s gotta watch something!
Reblogged this on Through the Shattered Lens.
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I feel your pain. Dealing with Dish Network people is just as bad, and when I explained the reasoning behind having to cancel service they still tried to sell me stuff.
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These people had the nerve to ask if I’d like to upgrade my box! All set, when the contract expires I’m cutting the cord – and the satellite!
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What you gonna do? Stick to Netflix and streaming?
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I think so. I’ve got to look into it.
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WTF!! 87! “Mamie” what a superb name for the well endowed lass:) I have to admit to have never heard of her but her back catalogue is now on my radar. hehe cheers.
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