Let’s kick off the third annual “Halloween Havoc” with Vincent Price, Peter Lorre, Boris Karloff, Hazel Court, young Jack Nicholson , director Roger Corman , screenwriter Richard Matheson , and an “idea” by Edgar Allan Poe. How’s that for an all-star horror crew? The film is THE RAVEN, Corman’s spoof of all those Price/Poe movies he was famous for, a go-for-the-throat comedy guaranteed to make you spill your guts with laughter!
Sorcerer Erasmus Craven (Price ), still pining for his late, lost Lenore, hears someone gently rapping on his chamber door… er, window. It’s a raven, a talking raven, in reality Adolpho Bedlo (Lorre ), who’s been put under a spell by the Grand Master of magicians, Dr. Scarabus (Karloff ), who like Craven is adept at “magic by gesture”. After Craven mixes up a potion to reverse the spell, Bedlo tells him he’s seen Lenore alive at Scarabus’s castle.
The two wizards decided to make the trek to Castle Scarabus so Craven can learn the truth. Daughter Estelle Craven (Olive Sturgess) insists on accompanying them, as does Bedlo’s inept son Rexford (Nicholson). The Grand Master, a former rival of Craven’s father, greets them warmly at the door, a seemingly kindly old gent who clears up the matter by introducing his servant, who’s pretty but not Lenore. Scarabus invites the entourage to a convivial dinner, where Bedlo drunkenly challenges him to a duel of magic. The soused mage’s magic backfires, and he’s turned into a pool of raspberry jam!
A storm is brewing outside (because of course it is!), and Scarabus invites them to spend the night. Rexford suspects foul play, telling Estelle he saw Scarabus use his hand gestures during the duel to put the kibosh on his dad. During the storm, Craven sees what he thinks is Lenore looking in his window. He’s right… Lenore (Court )is alive and well, deviously plotting with Scarabus to learn the secrets of Craven’s powerful magic! Soon we discover Bedlo’s alive too; the treacherous wizard has been in on it all along!
All four (including the duplicitous Bedlo) are captured by the evil Scarabus, and Bedllo, begging to be freed for his loyalty, is turned back into a raven. Grand Master Scarabus threatens Estelle, forcing Craven to engage in a magical “duel to the death”, a comical, special effects-gimmicked battle of prestidigitation. The younger sorcerer is ultimately victorious, and they escape as Castle Scarabus is consumed by flames.
Price gets to show off his slapstick skills, continually walking headlong into his large telescope, and his acting opposite the bird is, well, Priceless! Lorre is just naturally funny, whether taking a pratfall, going off-script with some ad-libbing, or exclaiming as the raven in his accented voice, “Ooo, these feathers itch!” Karloff, as the villain of the piece, doesn’t get much in the comedy department, but manages to get off some good one-liners, calling Lenore “my little viper”, for example. Young Jack isn’t as bad here as some critics have pointed out, and he and Lorre are a funny father/son act. Les Baxter’s score, complete with whimsical music cues, adds to the fun, as does Pat Dinga’s special effects bag of tricks.
There are plenty of film references and in-jokes crammed in by Corman and Matheson. The name on Craven’s dad’s coffin is Roderick, Price’s character name in FALL OF THE HOUSE OF USHER . That film’s ending is also referenced in the final destruction of Castle Scarabus. And when Craven defeats Scarabus, it’s the symbolic passing of the terror torch from Grand Master Karloff to the new King Price. The raven itself was trained by Mo Disesso, who later provided the trained rats for both WILLARD and BEN. THE RAVEN is more fun than a barrel of spiders, a creepy and kooky Gothic send-up with the Three Titans of Terror in rare form, and will delight genre fans of all ages. Except for maybe poor Poe, who’s probably still spinning in his grave!!