Brian De Palma was a big deal back in the 70’s and 80’s, and his films like CARRIE, SCARFACE, and THE UNTOUCHABLES are still discussed. Yet works such as SISTERS, PHANTOM OF THE PARADISE, OBSESSION, BLOW OUT, and BODY DOUBLE seem unjustly neglected today, and some critics deride him for his over the top sex and violence. DRESSED TO KILL finds De Palma in full Hitchcock mode, an homage to PSYCHO that The Master of Suspense himself cited as more like a “fromage”, but one I find still entertaining.
The film begins with a sizzling hot shower scene with Angie Dickinson as Kate Miller, remarried mother of science nerd Peter (Keith Gordon, CHRISTINE ). Kate has problems in her marriage and with her own mom, not to mention being a nymphomaniac! She’s seeing psychiatrist Dr. Robert Elliott (Michael Caine ), but seemingly getting nowhere. We follow her to New York’s Metropolitan Museum of Art, where she engages in an erotic game of hide-and-go-seek with a complete stranger. They have sex in the cab, and at his apartment. Leaving the encounter, Kate steps into an elevator… and is brutally slashed/hacked to death by a tall, blonde woman in dark glasses brandishing a straight razor!
When the elevator stops, young Liz Blake (Nancy Allen) witnesses the horror within. She’s brought tp police headquarters where Detective Marino (Dennis Franz) is investigating, where we discover Liz is a call girl, “a Park Avenue whore” as Marino calls her. Peter and his stepdad are devastated, as is Dr. Elliott, who refuses to give nay information out on his clients. Liz becomes the prime suspect, but Peter starts his own investigation, learning the tall blonde woman is one of Elliott’s patients, a patient who is now stalking Liz…
De Palma keeps things suspenseful, with a jolting scene in the subway, and the gripping psycho-sexual drama played out in Elliott’s office while a thunderstorm rages outside. I won’t spoil the killer’s identity for those of you who haven’t viewed this thriller (though it’s not hard to figure out if you’ve seen PSYCHO)… but I will tell you De Palma wraps things up with a double – make that triple! – twist ending. The director (who also wrote the screenplay) draws not only from Hitchcock, but other sources like Goddard and Antonioni, especially in the art museum scene. His use of sound, like that of Hitchcock, adds immensely to the atmosphere, and split-screen imagery is utilized in a scene with Caine and Allen. Pino Donaggio’s score evokes Bernard Herrmann , and DP Ralf Bode’s imagery is superb.
Let’s talk for a minute about Nancy Allen. The cute-as-a-button actress, who was married to De Palma at the time, makes a great woman-in-jeopardy as Liz, and was one of the brightest stars of the late 70’s/early 80’s. Allen made her film debut in 1973’s THE LAST DETAIL at age 23, and gained major recognition as “mean girl” Chris in De Palma’s CARRIE. She starred in Robert Zemeckis’s first movie I WANNA HOLD YOUR HAND, and was well-known for her roles in BLOW OUT, STRANGE INVADERS, THE PHILADELPHIA EXPERIMENT, and the first three ROBOCOP flicks. Nancy’s pretty much retired from acting, working with environmental and breast cancer causes, but it’s always nice to go back and view her work (and yes, I still have a crush on her!).
Michael Caine seems more invested in the part of Dr. Elliott than he does in other films of this era. It’s a good, juicy part, and Caine is more than up to the task. Angie Dickinson, in the Janet Leigh role, is still sexy at 49, though that’s not her nude in that shower, but a body double (former Penthouse Pet Victoria Lynn Johnson). Dennis Franz as Marino is practicing for his Detective Sipowicz in TV’s NYPD BLUE, which isn’t a bad thing. Keith Gordon is good as nerdy Peter – so nerdy he even rides a moped!! And in an interesting side note, former AIP honcho Samuel Z. Arkoff is the film’s executive producer.
I don’t know exactly why Brian De Palma’s work is largely ignored today, save for a handful of films. He’s still cranking ’em out, and has an upcoming production DOMINO scheduled for release this year. His movies, especially those made in the 1970’s and 80’s, are well worth watching, and the sexy horror DRESSED TO KILL ranks as one of his best in my book. It’s time for a new generation to rediscover De Palma!
7 Replies to “Slashed To Thrill: Brian De Palma’s DRESSED TO KILL (Filmways 1980)”
Reblogged this on Through the Shattered Lens.
agree wholly. although several critics derided Passion (2012), blogger Keith Banner wrote a spot on essay: https://twoplustwoequalsfive-tskyinc.blogspot.com/2013/08/the-passion-of-kill.html
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Very good film. I love the homages in it to Hitchcock films. I didn’t see the twist about the killers identity coming the first time I saw it and it really shocked me.
I think DePalma’s very underrated. BTW, my post for your Hitchcock blogathon will be up and running tomorrow afternoon!
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I think he is too. Odd when he was such a big name in the 70’s and 80’s. He is also the only person who has ever managed to replicate Hitchcock’s style, and also to do it in a good way that doesn’t look like merely an imitation of a better work.
Can’t wait to read your post.
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I’m watching Dressed to Kill right now, thinking about how much Gary loved De Palma. I definitely miss him!