All Star Exploitation: MACHETE MAIDENS UNLEASHED (Australian 2010)

Tonight we celebrate baseball with MLB’s 90th annual All-Star Game, and… what’s that you say, Dear Readers? You don’t LIKE baseball?!? (*sighs, shakes head, mutters “must be some kinda Commies”*) Luckily for you, I’ve got an alternative for your viewing pleasure this evening. It’s an All-Star salute to the halcyon days of low-budget Exploitation filmmaking in the Philippines that lasted roughly from 1959 (Gerry DeLeon’s TERROR IS A MAN, with Francis Lederer and Greta Thyssen) to the early 80’s and the advent both of VHS, which effectively ended the Drive-In/Grindhouse Era, and political upheaval caused in part by Fernando Marcos’s imposition of martial law on the island nation.

1971’s “Beast of the Yellow Night”

This Australian-made documentary by writer/director Mark Hartley covers the wild, wild world of making Exploitation movies in the jungle on a shoestring budget through judicious use of clips, trailers, and interviews with the people who made these crazy things – and lived to tell about it! And you want non-baseball All-Stars? Let’s start with the King of the ‘B’s’ himself, Roger Corman, whose New World Pictures produced, financed (minimally, I might add!), and released many of them stateside, beginning with 1971’s BEAST OF THE YELLOW NIGHT and ending with 1979’s JAWS -ripoff UP FROM THE DEEP. Rapid Roger makes no bones about the fact these little epics were green lit strictly to make money – and boy, did they ever!

Pam Grier and Margaret Markov in “Black Mama White Mama” (1973)

Among the many interviewees are directors Allan Arkush, Joe Dante, Jack Hill, Jonathan Kaplan , and John Landis , Corman graduates all. Landis is particularly candid and hilarious in his assessment of pretentious, eggheaded critics who saw more into these schlockfests than was intended. Like Corman, he fully admits the only reason they were made was a quick buck! Also on hand are rare interviews with legendary Filipino directors Eddie Romero (MAD DOCTOR OF BLOOD ISLAND, BLACK MAMA WHITE MAMA , THE TWILIGHT PEOPLE) and Cirio Santiago (TNT JACKSON, THE MUTHERS , VAMPIRE HOOKERS).

Pam again, with Sid Haig in “The Big Doll House” (1971)

And talk about All-Stars? How’s this for a power-hitting lineup: Colleen Camp (EBONY, IVORY, & JADE), Marlene Clark (NIGHT OF THE COBRA WOMAN), Pam Grier (THE BIG DOLL HOUSE), Gloria Hendry (SAVAGE SISTERS), Dick Miller (FLY ME), Chris Mitchum (THE ONE-ARMED EXECUTIONER), Patrick Wayne (BEYOND ATLANTIS), and Celeste Yarnell (BEAST OF BLOOD) all appear in interview segments. Not only that, but the great Sid Haig , who costarred in just about ALL of these films (many times opposite Grier), shares his own reminiscences about the glory days of Filipino filmmaking.

James Bond Jr?: Weng Weng in “For Y’ur Height Only” (1981)

There’s loads of clips and trailers from classic trash like THE BIG BIRD CAGE, COVER GIRL MODELS (“They’re always overexposed but they’re never underdeveloped!”), DYNAMITE JOHNSON, FIRECRACKER, THE HOT BOX (“Their guns are hot and their bodies are hard!”), THEY CALL HER CLEOPATRA WONG, WOMEN IN CAGES, and FOR Y’UR HEIGHT ONLY, starring the immortal 2’9″ Filipino superstar Weng Weng! It’s all here in MACHETE MAIDENS UNLEASHED: mad monsters, women in chains, action, explosions, and most importantly, The 3 B’s – Beasts, Blood, and Breasts! They just don’t make ’em like these flicks anymore, and probably never will again. This is one hell of a fun documentary that Grindhouse/Exploitation/Drive-In fans won’t want to miss! Now excuse me while I go watch some baseball.

from Eddie Romero’s “The Twilight People” (1972)
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