Ok, so it’s 1972. Rock music dominated the airwaves, until a nearly fifty year old English gent named Hurricane Smith blew into America with a British Music Hall-styled #1 hit called “Oh, Babe, What Would You Say” (take it away, Johnny Carson!):
Who was Hurricane Smith, you ask? Well, first of all, his name isn’t really Hurricane, but Norman Smith, born in 1923. Young Norman served in the RAF during WWII as a glider pilot, and upon war’s end set out to make a go of things as a jazz musician, without much success. By 1959, Norman found steady employment working as a sound engineer for Britain’s EMI Records, located on London’s Abbey Road.
In 1962, EMI signed four lads from Liverpool who had some potential. The Beatles recorded “Please Please Me”, and the song took the U.K. by storm:
The Beatles became a phenomenon in America two short years later, and along with producer George Martin, Norman was instrumental in shaping their early sound. He became friends with the Fab Four personally as well, with John Lennon giving him the nickname ‘Normal’. Norman did the sound engineering on The Beatles’ first six LP’s, from “Please Please Me’ to “Rubber Soul”, but as they gained in confidence and became more experimental musically, friction between Lennon and McCartney caused the sessions to no longer be fun for Norman.
EMI promoted him to full producer, and among his first tasks was producing the first three albums for another British band who achieved success home and abroad, Pink Floyd:
Another milestone came in 1968, when Norman produced The Pretty Things’ LP “SF Sorrow”, a psychedelic excursion that’s considered the first ‘Rock Opera’, predating The Who’s “Tommy” by five months:
Norman had written a song titled “Don’t Let It Die” that he wanted his friend Lennon to record, but when he played the demo for fellow producer Mickie Most (The Animals, Herman’s Hermits, Donovan, etc), Most urged him to record the tune himself. The tune, released under the name Hurricane Smith, became a surprise hit in England, reaching the #2 spot on the charts:
Then came “Oh Babe”, and Hurricane Smith had himself a hit on both sides of the Atlantic (and by the way, that’s Norman’s old RAF mate Frank Hardcastle performing the memorable sax solo). The hits stopped coming after that, but Norman Smith continued working behind the scenes with artists as varied as Barclay James Harvest, Stevie Wonder, The Spinners, Denny Laine, and Little Richard. He wrote an autobiography of his decades in the music biz, JOHN LENNON CALLED ME NORMAL, which was published in 2008, the year he died at age 85. If ever there was a One Hit Wonder with a musical pedigree as prestigious as Norman ‘Hurricane’ Smith, you’d be hard pressed to find him!
More ‘One Hit Wonders’ on Cracked Rear Viewer!:
The Night Chicago Died – One Tin Soldier (Theme from BILLY JACK) – Long, Lonesome Highway – Na Na Hey Hey Kiss Him Goodbye – DOA – Are You A Boy Or Are You A Girl? – Why Can’t We Live Together – They’re Coming To Take Me Away Ha-Haaa! – In The Year 2525 – Summertime Blues – Little Girl – (We Ain’t Got) Nothin’ Yet – I Had Too Much To Dream (Last Night) – The Ballad Of The Green Berets – Smell Of Incense – In The Summertime – The Safety Dance – Lies – Hot Smoke & Sasafrass – I Fought The Law – Seasons In The Sun – Heartbeat – It’s A Lovebeat – Brandy (You’re A Fine Girl)