Rockin’ in the Film World #14: SKI PARTY (AIP 1965)

American-International Pictures takes the “Beach Party ” concept to the slopes in 1965’s SKI PARTY, an endearingly goofy ball of fluff headlining Frankie Avalon, Dwayne Hickman, Deborah Walley , and a pre-‘Batgirl’ Yvonne Craig . It sells itself with a sly wink to the audience that says, “We know the whole thing’s absurd, and we don’t care”! Besides the off-the-wall comedy, the film features above average musical interludes by guests Lesley Gore and the Godfather of Soul himself, James Brown.

Frankie and Dwayne play a pair of slightly overage college students (Avalon was 25, Hickman 31!) trying to woo Deborah and Yvonne. The two knuckleheads can’t figure out why they can’t get to first base, while college Romeo Aron Kincaid scores with every babe on campus. When the whole gang (including Beach movie regulars Luree Holmes, Michael Nader, Salli Sachsee , and surfing champ Mickey Dora) go on a skiing vacation during mid-term break, Frankie and Dwayne disguise themselves as British birds “Jane” and “Dora” in an attempt to learn the secret to achieving paradise by the dashboard lights!

Avalon and Hickman make SOME LIKE IT HOT’s Tony Curtis and Jack Lemmon look like a couple of Playmates, but that doesn’t stop Kincaid from falling madly in love with “Dora”! ‘Beach’ girl Bobbi Shaw plays a sexy Swedish ski instructor (“Yah, yah”) who Frankie seduces to make Deborah jealous, with  him entering a ski jump contest even though he can’t ski! His brilliant idea is to jump in a helium-inflated suit, with disastrous results. Funnyman Robert Q. Lewis is on hand as the screwball ski lodge director, and a yodeling polar bear keeps popping up for no reason except to add even more surrealism to the story. If you’re wondering where Annette is, she has a cameo in the beginning as a college biology professor (!!), and the ubiquitous Dick Miller appears towards the end as a cab driver.

SKI PARTY was the first feature film for director Alan Rafkin, whose TV resume reads like a Sitcom Hall of Fame. Just a small sampling: MY FAVORITE MARTIAN, THE DICK VAN DYKE SHOW, THE ANDY GRIFFITH SHOW (27 episodes), GET SMART, THE ODD COUPLE, THE MARY TYLER MOORE SHOW , THE BOB NEWHART SHOW, SANFORD & SON , M*A*S*H, LAVERNE & SHIRLEY, IT’S GARRY SHANDLING’S SHOW, COACH (87 episodes), and SUDDENLY SUSAN. Rafkin’s also responsible for a pair of Don Knotts movies, THE GHOST & MR. CHICKEN and THE SHAKIEST GUN IN THE WEST.

Also making his first movie straight from the TV ranks was screenwriter Robert Kaufman. Kaufman fared better in his film career, writing the DR. GOLDFOOT spy spoofs starring Vincent Price , DIVORCE AMERICAN STYLE, FREEBIE AND THE BEAN, THE HAPPY HOOKER GOES TO WASHINGTON, the vampire comedy LOVE AT FIRST BITE, and HOW TO BEAT THE HIGH CO$T OF LIVING. His script finds Avalon and Hickman frequently breaking the Fourth Wall, along with a slew of slapstick hijinks (and you all know how much I love slapstick hijinks!).

As I said before, the music is solid 60’s gold, with Lesley Gore doing her big hit “Sunshine, Lollipops, and Rainbows”:

The whole things ends up on the beach (where else?) with The Hondells doing a couple of surf numbers. The four main stars get a few decent rocking tunes to sing, but the highlight comes when James Brown and The Famous Flames, playing the resort’s ski patrol, perform the smash “(I Got You) I Feel Good”. And on that note, take us home, James:

More “Rockin’ in the Film World”:

ROCK AROUND THE CLOCK

THE BLUES ACCORDIN’ TO LIGHTNIN’ HOPKINS

BEACH PARTY

WILD IN THE STREETS

JAILHOUSE ROCK

IT’S A BIKINI WORLD

A HARD DAY’S NIGHT

BEYOND THE VALLEY OF THE DOLLS

JIMI HENDRIX: ELECTRIC CHURCH

THE GIRL CAN’T HELP IT

HAVING A WILD WEEKEND

HEAD

KID GALAHAD

 

 

Fun in the Sun: BEACH BLANKET BINGO (AIP 1965)

You’d think by the fourth entry in American-International’s ‘Beach Party’ series, 1965’s BEACH BLANKET BINGO, the formula would be wearing a bit thin. Frankie and Annette are still trying to make each other jealous, Eric Von Zipper and his Rats are still comic menaces, and the gang’s into yet another new kick (skydiving this time around). But thanks to a top-notch supporting cast of characters, a sweet subplot involving a mermaid, and the genius of comedy legend Buster Keaton , BEACH BLANKET BINGO is loads of fun!

Aspiring singer Sugar Kane skydives from a plan into the middle of the ocean and is “rescued” by surfer Frankie. But not really… it’s all been a publicity stunt by her PR agent ‘Bullets’. Sugar is played by lovely Linda Evans, right before she landed on TV’s THE BIG VALLEY, and ‘Bullets’ is none other than the fantastically sarcastic Paul Lynde. But wait… Eric Von Zipper (Harvey Lembeck) and his motley crew have spied Sugar, and the Head Rat immediately declares she’s “nifty”, and Sugar replaces his idol, “Marlo Brandon”.

Frankie wants to try skydiving, and so does Dee Dee (our girl Annette, for those unfamiliar with the series), but macho Frank thinks a woman’s place is in the kitchen. The gang heads to Big Drop’s Skydiving school, run by ‘Mr. Warmth’, the late, great Don Rickles . Instructors Steve and Bonnie (real-life husband and wife John Ashley and the delectable Deborah Walley ) cause romantic complications for Frankie and Dee Dee, because that’s just the way things go in these films. Meanwhile, big goofy Bonehead ( Jody McCrea ) opts out of the skydiving scene, and winds up meeting and falling in love with Lorelei the mermaid, played by marvy Marta Kristen (LOST IN SPACE’s Judy Robinson).

Things get real (or about as real as they can in a drive-in flick) when Von Zipper kidnaps Sugar, only to be snatched from him by his no-goodnik pool hall pal South Dakota Slim (the one and only Timothy Carey !). Slim takes her to his “bubby” house (he calls everyone “bubby”) and ties her to a buzzsaw, resulting in a silent-film style slapstick ending straight outta THE PERILS OF PAULINE. That ending, along with other comic bits, was devised by Keaton, who’s Big Drop’s “assistant”, and it’s obviously the comedy master’s handiwork. Buster has some wonderful sight gags spread throughout the film, like having troubles casting his fishing line in the surf, chasing (and chased by) Bobbi Shaw along the seascape, doing his own crazy version of the watusi, and hanging from a tree limb during the sped-up race to Slim’s sawmill. Buster Keaton still did his own stunts here at age 69, and his dedication to his comic craft, even in a low-budget teen movie like this, is a testament to his considerable talents.

Lynde and Rickles each get to showcase their own comic personas, with Rickles doing some of his stand-up insult comedy while emceeing Sugar’s singing performance, and it’s one of the movie’s comic highlights (Don to Frankie: “You’re 43, Frank! You’re old!”). Donna Loren returns to sing “It Only Hurts When I Cry”, surf rockers The Hondells appear, and even Lembeck and his Rats get a musical number, “Follow Your Leader”. Famed (at the time) columnist Earl Wilson plays himself, 1964’s Playmate of the Year Donna Michelle is one of the surfer girls, and Michael Nader (later Evans’ costar on DYNASTY) is Frankie’s pal Butch. BEACH BLANKET BINGO is perfect for a hot summer night when you’re looking for some mindless laughs, with a bevy of beauties, harmless musical interludes, and some fine comedy from Lynde, Rickles, and especially Buster Keaton. Kowabunga!

 

Rockin’ in the Film World #6: IT’S A BIKINI WORLD (Trans-American 1967)

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IT’S A BIKINI WORLD is one of the lowest of the low-budget “Beach Party” ripoffs you’ll ever see. Yet it has a certain charm to it, a likeable little “battle of the sexes” soufflé featuring some great 60’s rock acts and the undeniable appeal of beach bunny Deborah Walley.

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Beach stud Mike Samson goes gaga for knockout new redhead Delilah Dawes (Samson and Delilah, get it?). She thinks he’s an egotistical jerk and gives him the big freeze-out, telling him she prefers the “serious type”, so Mike dons a pair of thick glasses and some nerdy duds, passing himself off as intellectual brother “Herbert”. Herbert takes her to museums and zoos, while Mike competes with her in skateboarding and boat races run by local customizer Daddy, owner of hangout The Dungeon. Delilah discovers Mike’s scam, and they compete in a final Cross Country Race that consists of car racing, motorcycles, swimming, and even riding camels! Mike throws the race, and the two finally get together, as if there were ever any doubt.

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The extremely loose plot is just an excuse to have a bunch of classic Sixties rocker lipsynch some of their hits. Pat and Lolly Vegas, the Native American brothers who wrote P.J. Proby’s hit “Niki Hoky” and later formed the band Redbone, sing “Walk On”. R&B girl group The Toys perform their minor hit “Attack!”. Memphis garage rockers The Gentrys, featuring future WWF manager Jimmy “Mouth of the South” Hart as lead singer, do the frat rocker “Spread It On Thick”. Minnesota’s The Castaways jam out to their smash hit “Liar Liar”. And finally, British Invasion blues rock stars The Animals, with a bored looking Eric Burdon, do the Barry Mann/Cynthia Weil classic “We Gotta Get Out of This Place”, which is what Burdon looks like he wishes he were doing!

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Can I get a shout out for the ever-delectable All-American girl Deborah Walley! The cute, perky Miss Walley made her film debut as every surfer’s dream in 1961’s GIDGET GOES HAWAIIAN, and quickly became a teen flick favorite. Deborah appeared in several AIP “Beach” movies (BEACH BLANKET BINGO, SKI PARTY, GHOST IN THE INVISIBLE BIKINI) and was married for a spell to “Beach” regular John Ashley. She was a drummer in Elvis Presley’s band in SPINOUT, and co-starred for two seasons as Eve Arden’s daughter on the sitcom THE MOTHERS-IN-LAW. Deborah’s costar here is Tommy Kirk, former Disney star (OLD YELLER, THE SHAGGY DOG, SON OF FLUBBER) who was fired when Disney was informed Kirk was gay. Moving over to AIP, Tommy did PAJAMA PARTY and GHOST IN THE INVISIBLE BIKINI (with Walley). After getting busted for marijuana, Kirk’s career and life slid downhill. He made MARS NEEDS WOMEN for Larry Buchanan and  BLOOD OF GHASTLY HORROR for Al Adamson, and developed a vicious drug habit that rendered him unemployable. After getting clean and sober, Tommy Kirk left show business, running a successful carper cleaning business. He returned “home” in 2006 when he was named a ‘Disney Legend’ by the company, and does the occasional fan convention.

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Kirk’s pal is played by Bobby ‘Boris’ Pickett, who would’ve been better used lipsynching his hit “Monster Mash “, because he sure can’t act! Daddy is played with gusto by the great Sid Haig , hamming it up and peppering his speech with phrases like “It’s a gas” and “Groovy, man”. Director Stephanie Rothman was a Roger Corman protégé and one of the only women working in the exploitation field besides Doris Wishman. Corman financed IT’S A BIKINI WORLD, and clips of his ATTACK OF THE CRAB MONSTERS are shown when the gang goes to the movies! Rothman and husband Charles Schwartz (who produced and cowrote the screenplay) later left Corman and formed Dimension Films, where she became noted for THE VELVET VAMPIRE and TERMINAL ISLAND. Rothman’s decidedly feminist point of view is evident in this one, pitting Walley against Kirk in physical sporting competitions, something you didn’t see in AIP’s Frankie and Annette features.

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Let me be honest though: IT’S A BIKINI WORLD is cheap, low budget nonsense geared for the teenage drive-in crowd, made to separate kids from their allowances on the weekend. It’s full of corny jokes and dumb slapstick gags, and most of the money spent on it probably went to get the rock’n’rollers to appear. That being said, it’s hard not to like this little time capsule of the Swinging Sixties. It does what it’s supposed to; it keeps you entertained for an hour and a half. Plus, it’s got those classic rock acts in it, and Deborah Walley to look at. Sounds like a win-win to me!!