Halloween Havoc!: THE CREATURE WALKS AMONG US (Universal-International 1956)

THE CREATURE WALKS AMONG US – and he’s not too happy about it! Can’t say that I blame him, as once again he’s used and abused by humans, kidnapped from his watery home, suffers third degree burns, and transformed into a landlubber! This third and final entry in The Gill-Man saga unfortunately isn’t as good as its two predecessors, with too much melodramatic nonsense spoiling what was an intriguing premise.

Dr. Bill Barton (Jeff Morrow ) leads a search in the Florida Everglades for the Creature, who escaped Ocean Harbor Oceanarium in the last film. Along with Barton are geneticist Dr. Tom Morgan (Rex Reason), Dr. Borg (Maurice Manson), Dr. Johnson (James Rawley), and macho guide Jed Grant (Gregg Palmer ). Also on board is Barton’s wife Marcia (Leigh Snowden), a beautiful blonde trapped in a loveless marriage with her insanely jealous, controlling prick of a husband.

The Creature is located thanks to Dr. Johnson’s sonar, subdued with a heavy dose of Rotinol (remember it from the first film?), and accidentally set aflame, causing permanent damage to his gills. But that’s alright with Barton, who planned all along to genetically alter the Gill-Man to a more human state to help in the ‘space race’ (I kid you not!). By inflating his already-there lungs, The Creature begins to mutate, getting loose and heading back to the water – which almost drowns him! The now gill-less Gill-Man is transported to Barton’s ranch in California and penned up with the sheep, seemingly helpless…

THE CREATURE WALKS AMONG US gets bogged down by the melodrama of the Bartons and horny Jed Grant looking to bed the lovely Mrs. Barton. Things perk up when The Creature is featured, but slow back down as the humans talk and talk and talk. It’s almost like two different movies, and horror lover that I am, I would have preferred more monster madness and less domestic drama. It’s the weakest of the trilogy, and though the end is ambiguous enough to leave the door open for a fourth sequel, it didn’t happen.

The underwater scenes are still cool, and Riccou Browning returned to play The Gill-Man in them once again. Don Megowan takes over on land, and the 6’7″, 300 pounder makes for a physically imposing Creature. Megowan was featured as the sheriff in another horror film that year, THE WEREWOLF, played the Monster in Hammer’s unsold 1958 TV pilot TALES OF FRANKENSTEIN, starred in the low-budget CREATION OF THE HUMANOIDS, and was featured in plenty of Westerns and action flicks calling for a burly mountain of a man.

Beautiful Leigh Snowden (1929-1982) first made a splash (pun intended!) doing a walk-on bit for Jack Benny’s Christmas show at San Diego Naval Base. Making her film debut in Robert Aldrich’s KISS ME DEADLY , she signed a contract with Universal-International, then moved on to programmers like FRANCIS IN THE NAVY, THE SQUARE JUNGLE, OUTSIDE THE LAW, HOT ROD RUMBLE, and the big-budget ALL THAT HEAVEN ALLOWS. She married accordion virtuoso Dick Contino (star of 1958’s DADDY-O), and retired from the screen after 1961’s THE COMANCHEROS.

And with that, we wrap up this special ‘Universal Horror’ edition of ‘Halloween Havoc!’. I hope you’ve enjoyed taking a look back with me at the films of Hollywood’s Monster Factory. These are the movies that first sparked my interest in classic cinema as a child, and it’s been a labor of love to write about them, but right now I’m exhausted! Think I’ll go lie down in my coffin awhile before those ghosts’n’goblins come rapping on my chamber door begging for candy. Happy Halloween to all, and to all a good fright!

Halloween Havoc!: FROM HELL IT CAME (Allied Artists 1957)

I’ve seen a lot of movie monsters in my time. Vampires and werewolves, zombies and mutated bugs, but nothing prepared me for the horror of… Tabanga, the Terrible Tree Monster and star of FROM HELL IT CAME! I’ve seen a lot of Grade ‘Z’ “so-bad-they’re-good” movies as well, and let me tell you, this one’s right up there with the best of the worst. This was the last film from Milner Brothers Productions (who brought you the equally ludicrous PHANTOM FROM 10,000 LEAGUES) and rightly so. FROM HELL IT CAME is so inept it makes Ed Wood’s epics look like Cecil B. DeMille spectaculars!

So there’s this tribe of suspiciously Caucasian-looking natives living on this South Seas island, okay. The very Caucasian Kimo (Gregg Palmer, ZOMBIES OF MORA TAU) is staked to the ground, accused of poisoning his chieftain father with the white man’s “bad medicine”. This is only a ruse by witch doctor Tano (Robert Swan) to take over  the tribe with Maranka (Baynes Barron) and Kimo’s tropical floozy wife Korey (Suzanne Ridgway). Before Tano gives the order to plunge a knife into his victim’s heart, Kimo vows to return from the grave to exact revenge on his lying tormentors.

Meanwhile, on the other side of the island, scientists Dr. Bill Arnold (Tod Andrews) and Professor Clark (John McNamara) are researching nuclear fallout in the area, which the natives call “Devil Dust”. With them is Army Sgt. Eddie (Mark Sheeler), whose role is so meaningless he isn’t even given a last name. Then there’s Mrs. Kilgore (Linda Winters), man-hungry owner of the local trading post, sporting one of the worst Cockney accents in the history of cinema! Into the picture (via helicopter) comes Dr. Terry Mason (Tina Carver), no relation to Perry Mason, one of those dedicated 50’s “female scientists” that leading men like Bill go ga-ga over.

It’s brought to everyone’s attention there’s a tree stump growing out of Kimo’s grave, and this botanical marvel has a pulse! Some friendly natives warn the gang about the legend of Tabanga, a restless evil tree monster who once terrorized the islanders. Dr. Mason gives it a shot of her new serum to keep it alive, but Tabanga busts out of the lab and makes good on Kimo’s promise to avenge his death against those who murdered him. The shambling stump takes things too far when it shuffles off with Terry. The men chases after it, and realize the only way to stop Tabanga is to shoot a bullet at the knife still protruding from the former Kimo’s chest, driving it through its tree heart! I don’t think even Annie Oakley could pull that off, but scientist Bill manages to do just that, ending the threat of Tabanga, earning the native’s gratitude, and winning the hand of the fair Terry.

The only thing worse than the stilted dialog is the wooden (pun intended) delivery the actors give it. As for Tabanga  itself, this monster wouldn’t scare anybody over the age of five. In fact, I found myself smiling every time it appeared on-screen. This isn’t “rubber suit” monster maker Paul Blaisdell’s greatest creation; then again how do you make a tree scary? I’m pretty sure there are worst films you can watch this Halloween though, so if you’re in the mood for some unintentional Tree Monster laughs, FROM HELL IT CAME will certainly fill the bill. Time to say goodnight, Tabanga:

 

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