All for One, Fun for All: AT SWORD’S POINT (RKO 1952)

France in 1648 is in upheaval: Cardinal Richelieu has passed away, the Queen is ill, and evil Duc de Lavelle is plotting to usurp the crown by forcing a marriage to Princess Henriette and murder young Prince Louis. The Queen summons the only persons that can help: her trusted Musketeers! But the quartet have either grown old or died, and in their stead come their equal-to-the-task children, Cornel Wilde (D’Artagnon Jr.), Dan O’Herlihy (Aramis Jr.), Alan Hale Jr (Porthos Jr.), and – Maureen O’Hara , daughter of Athos!!

AT SWORD’S PONT isn’t a great movie, but it is a fairly entertaining one, with lots of flashing swordplay, leaping about, cliffhanging perils, and narrow escapes. It kind of plays like a Saturday matinee serial, and there’s a lot of fun to be had, with Cornel Wilde a dashing D’Artagnon Jr, O’Herlihy a competent second fiddle, and Hale doing his usual good-natured lug thing. But it’s marvelous Maureen who kept me captivated throughout, her flaming red hair streaming as she battles side by side with the male Musketeers. She’s no slouch with that sword either; Maureen could buckle her swash with the best of ’em! 

The backstory behind the making of AT SWORD’S POINT may actually be more interesting than the movie itself. Republic first announced it would make the film in 1947, based on a screenplay by Aubrey Wisberg and Jack Pollexfen. It ended up being filmed two years later at RKO, then sat on the shelf another two years. When it was finally released, Walter Ferris and Joseph Hoffman got the screenwriting credits, with Wisberg and Pollexfen credited for the story only. By this point I’m sure they didn’t care, having moved on to form their own Mid Century Productions, making low budget flicks from 1951’s MAN FROM PLANET X to 1961’s SECRET OF MONTE CRISTO. Why the movie sat so long is unclear; no doubt notoriously meddling RKO boss Howard Hughes had something to do with that!

The supporting cast offers fine performances from Gladys Cooper as Queen Anne and Blanche Yurka as tavern keeper and Musketeer aide Madame Michom. Robert Douglas makes a hissable villain, Nancy Gates a regal Princess, and Familiar Faces Tanis Chandler, Tris Coffin, Holmes Herbert, Lucien Litlefield, and Phil Van Zandt pop up as well. Director Lewis Allen has some good films on his resume (THE UNINVITED, SO EVIL MY LOVE, CHICAGO DEADLINE, SUDDENLY ), and keeps the action running along swiftly. Roy Webb’s jaunty main theme sounded suspiciously familiar to me – compare it to John Williams’ theme from 1978’s SUPERMAN and judge for yourselves!

AT SWORD’S POINT is an ‘A’ film in intent, but ‘B’ in execution. It’s hardly a classic of the swashbuckler genre, but it has it’s moments and can certainly be enjoyed on a mindless level. The bold Technicolor helps give it a big budget sheen, Maureen is both lovely and dangerous, Wilde is a heroic D’Artagnon, and it’s all harmless fun. It’s light and breezy and if you’ve got an hour and a half to spare, by all means give it a shot.

 

Happy Birthday Frank Sinatra: SUDDENLY (United Artists 1954)

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Today marks the 100th anniversary of the birth of Ol’ Blue Eyes himself, Frank Sinatra. The Chairman of the Board certainly had a long and varied career, beginning as a bobby-sox teen idol in the Big Band Era, then a movie star at glamorous MGM.  Hitting a slump in the early 50s, Sinatra came back strong with his Academy Award winning role as Maggio in FROM HERE TO ETERNITY. His follow up film was the unheralded but effective noir thriller SUDDENLY.

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The title refers to the sleepy little California town where the film takes place. Suddenly was once a wild and wooly Gold Rush settlement, now just a peaceful suburb. Sheriff Todd Shaw (Sterling Hayden) is a stand-up guy, in love with local girl Ellen Benson (Nancy Gates), a war widow with a son, Pidge (Kim Charney). Ellen’s not ready to stop grieving her husband’s death, and to further matters she abhors guns. Her father-in-law Pop (James Gleason), a retired Secret Service agent, gets exasperated at the way Ellen overprotects Pidge and keeps turning Todd away.

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Todd receives some major news through the wires: The President of the United States will be arriving by train at 5:00pm for a stopover. The news is top secret, and Secret Service agents, led by Carney (Willis Bouchey), descend on Suddenly to secure the area. State police are summoned, streets blocked off, and shops are closed so the disembarkment will go off without a hitch. Three men arrive at the Benson home, which sits on a hill overlooking the train depot. John Baron (Sinatra) and two others (Paul Frees, Christopher Dark) claim to be FBI agents sent to protect the president. They set up shop at the Benson house, but Pop has some suspicions about the whole thing.

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Everything’s been secured except the house on the hill. When Carney finds out his old boss Pop Benson lives there, he goes up with Todd to say hello. They’re met at the door by Baron and his men, who gun down Carney and wound Todd. The truth is now revealed: Baron is a hit man assigned to assassinate the president! Todd and the Bensons are held captive while they wait for the train to arrive so ex-Army sniper and Silver Star winner Baron can do the dirty deed. Baron exerts his will over them all by threatening to kill Pidge first if anyone tries to stop him from his murderous task.

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The tension is unrelenting in SUDDENLY, and the ingenious ending will have you cheering the good guys on (I know I did). The role of John Baron is a total departure for Sinatra, and he pulls it off superbly. Baron is cool, calm, and collected one minute, a raging psycho the next. He’s completely lacking in empathy, his motto is “ace, deuce, craps, it don’t matter”. The only thing Baron’s ever been good at is killing, and he enjoys the power it gives him. A sociopath with no redeeming qualities, Baron brags about his kill rate in the war, and doesn’t hesitate to use violence to get his way. Sinatra nails the role of Baron like he did his many songs, and though he’s a real rat, it’s among his finest performances.

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Director Lewis Allen does a good job here. Allen made his feature debut with 1944’s ghostly THE UNINVITED, followed by a semi-sequel, THE UNSEEN. After making the 1951 bomb of a biopic VALENTINO, his career was up and down. SUDDENLY gives Allen a good showcase, but the rest of his filmography is uninspired. He ended in TV, including episodes of MISSION:IMPOSSIBLE and THE INVADERS. Screenwriter Richard Sale got his start in the pulps, and wrote such varied film fare as MR. BELVEDERE GOES TO COLLEGE, GENTLEMEN MARRY BRUNETTES (which he also directed), and the Charles Bronson starrer THE WHITE BUFFALO. His screenplay for SUDDENLY seems to have inspired another Sinatra film, 1962’s THE MANCHURIAN CANDIDATE, with Frank as the hero and Lawrence Harvey the psycho-shooter. SUDDENLY was allegedly remade in 2013 by Uwe Boll. I’ve never seen any of Boll’s films and from what I understand, I’m not missing anything. I’ll stick to the original with this one.

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Frank Sinatra was always a saloon singer at heart, and my contribution to his 100th birthday bash wouldn’t be complete without a song. Here’s Ol’ Blue Eyes at his mid-60s peak doing one of my personal favorites. “That’s Life”. Cheers, Frankie!