Dancing masters like Fred Astaire, Gene Kelly, and The Nicholas Brothers all agreed… Eleanor Powell was the tops! The 24-year-old star made a big splash in MGM’s BROADWAY MELODY OF 1936, and the studio quickly followed up with BORN TO DANCE, showcasing Eleanor’s tap-dancing prowess in a fun musical-comedy-romance featuring a cavalcade of stars, and an original score by Cole Porter. Yep, Leo the Lion was going big on this one!
The plot’s your typical Boy Meets Girl/Boy Loses Girl/Boy Wins Girl Back fluff, this time around concerning submarine sailors in port and the babes they chase after. Nora Paige (Eleanor) enters the Lonely Hearts Club (no, not Sgt. Pepper’s! ) looking for work as a hoofer (“You don’t use a fan?”, says wisecracking Jenny Saks, played by wisecracking Una Merkel ). Nora shows what she can do in the hot number “Rap, Tap On Wood”, a joyous dance number (that Eleanor makes look so easy!). Enter sailor Ted Barker (Jimmy Stewart… hey, what’s he doing here??) and it’s love at first sight, because that’s the way things work in these movies!
When Ted saves musical comedy star Lucy James’ (Virginia Bruce) pet peke Cheeky from drowning, the publicity machine gets cranking: “FAMOUS ACTRESS IN LOVE WITH GOB” read the headlines, and poor Nora is stood up while Ted dines with Lucy. Misunderstandings abound, as Nora tells Ted she’s a married woman with a child (actually Jenny’s kid, whose dad is Ted’s sailor pal ‘Gunny’) so he’ll leave her alone. Nora then gets a job as a Broadway understudy for… who else but Lucy! The temperamental Lucy gets Nora canned, Jenny spills the beans, and the whole thing ends up with a rousing, twelve-minute, patriotic, Depression-busting showstopper set on a battleship that becomes a dazzling showcase for the terpsichorean talents of Miss Powell.
Eleanor has some marvelous numbers, and I especially enjoyed the athletic love dance she does in Central Park after Jimmy croons Porter’s classic “You’d Be So Easy To Love” to her – and far as Jimmy’s singing goes, let’s just say Bing Crosby had nothing to worry about! Curiously, while Stewart was allowed to sing, Eleanor’s vocals are all dubbed by Marjorie Lane (wife of actor Brian Donlevy). The number “Hey, Babe, Hey” is another stunner, performed by Eleanor, Jimmy, and fellow cast members Una, Sid Silvers (Gunny), Buddy Ebsen (Mushy), and Frances Langford (Peppy), each getting a chance to shine. And then there’s that finale “Swingin’ the Jinx Away”, where Eleanor is a whirling bundle of energy and shows just why her contemporaries considered her the best ever!
Virginia Bruce has never looked more beautiful to me, but then again I’ve only seen her in two other films – as the tortured victim in the Pre-Code KONGO and the title role in THE INVISIBLE WOMAN , where I hardly saw her at all! Miss Bruce gets to introduce the world to the Porter standard “I’ve Got You Under My Skin” here, and her voice is as lovely as the rest of her. Una Merkel gets all the good laugh lines; after seeing Ted with Lucy James in the papers, she quips, “That dame’s first name shoulda been Jesse”. And to her precocious daughter (Juanita Quigley): “Sally, you’re gonna drive me to stop drinking!”. Blustery Raymond Walburn is on hand as the blustery submarine captain, Helen Troy has a cute bit as a nasally telephone operator, and Reginald Gardiner plays a cop who comes across Ted and Nora in the park and breaks into a funny impersonation of famed conductor Leopold Stokowski.
Dependable Roy Del Ruth directed, and with this cast it must have been a dream job. I know I use the phrase “They don’t make ’em like this anymore” a little too frequently on this platform, but in this case the old cliché fits like a glove. And they sure don’t make stars like Eleanor Powell anymore, a multi- talented lady whose career was all-too-brief, but oh-so-memorable: