Dirty Deeds Done Dirt Cheap: ARMORED CAR ROBBERY (RKO 1950)

Looking for a tough, no-frills ‘B’ crime drama? Look no further than ARMORED CAR ROBBERY, which is just what it says it is, the planning, execution, and aftermath of said dirty deed, with a cast of rugged mugs and hard-hearted dames directed by Richard Fleischer during his salad days at RKO. The movie echoes Robert Siodmak’s CRISS CROSS in its heist scene, and I’m sure Stanley Kubrick watched and remembered it when he made his film noir  masterpiece THE KILLING .

Make no mistake, ARMORED CAR ROBBERY isn’t on a par with those two films. It is, however, an enjoyable little 67 minutes of cops vs crooks. Criminal mastermind Dave Purvis assembles a gang of low-lives to pull the caper off, killing a cop in the process. The cop’s partner, Lt. Jim Cordell, is now determined to hunt the crooks down and avenge him. One of the participants, Benny McBride, is mortally wounded during the heist, which is fine by Purvis, who’s been banging his wife, Burlesque star Yvonne LeDoux, on the side. Purvis ends up putting McBride out of his misery, but Cordell and his men, including new rookie partner Danny Ryan, are hot on their trail. One crook dies trying to escape, but Al Mapes gets away in a boat, leaving Purvis and Yvonne with all that loot. Mapes is picked up and rats, leading to Danny going undercover, getting ambushed by Purvis, and a climax at the airport that spells the end of Purvis’s criminal career.

Charles McGraw , complete with trench coat and fedora, stars as the dogged Lt. Cordell, and the gravel-voiced actor is tough as leather. William Talman plays Purvis, one of his many bad guy roles before turning to the side of the law as DA Hamilton Berger on TV’s PERRY MASON. Douglas Fowley is the unfortunate McBride, Steve Brodie the rat Mapes, and Gene Evans crook Ace Foster. Don McGuire is young Danny Ryan; best known for playing CONGO BILL in the 1948 serial, McGuire later turned to writing, responsible for the story and/or screenplays for 3 RING CIRCUS, BAD DAY AT BLACK ROCK, JOHNNY CONCHO (which he also directed), THE DELICATE DELINQUENT (ditto), and TOOTSIE ( for which he received an Oscar nomination).

Sexy B-Movie Queen Adele Jergens plays sexy stripper Yvonne LeDoux, and when she’s on stage you can hear the wolf whistles! Adele’s just as tough as the guys in this one, a statuesque blonde who’s sure no cream puff. The leggy former Rockette graced the screen in A THOUSAND AND ONE NIGHTS, THE CORPSE CAME C.O.D., LADIES OF THE CHORUS (as Marilyn Monroe’s mom!), THE MUTINEERS, and GIRLS IN PRISON, and made a perfect foil for comedy teams Abbott and Costello (A&C MEET THE INVISIBLE MAN) and The Bowery Boys (BLONDE DYNAMITE, FIGHTING TROUBLE). She met husband Glenn Langan (THE AMAZING COLOSSAL MAN) while filming THE TREASURE OF MONTE CHRISTO, and retired from the movies in 1956. Adele Jergens was never a big star, but her presence was more than welcome whenever she came onscreen.

ARMORED CAR ROBBERY makes no pretense about what it is, a low-budget picture designed for the bottom half of double features. But thanks to Fleischer and that hard-as-nails cast, it’s worth rediscovering for B-Movie fans… like Yours Truly! In this case, ‘B’ stands for Better!

Halloween Havoc!: DONOVAN’S BRAIN (United Artists 1953)

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No, this is not a movie about the mind of the 60’s Scottish folk singer responsible for “Sunshine Superman” and “Mellow Yellow”. DONOVAN’S BRAIN is a sci-fi/horror hybrid based on the 1942 novel by Curt Siodmak, responsible for THE WOLF MAN and other Universal monster hits. It was first made as a 1944  Republic Pictures effort titled THE LADY AND THE MONSTER with Erich Von Stroheim (why Universal didn’t buy the rights is a mystery to me). This is one of those rare cases where the remake is better than the original!

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The story concerns Dr. Pat Cory, a scientist experimenting with keeping the brain of a monkey alive without a body. After several failures, Cory and his assistant, alcoholic Dr. Frank Schratt, have finally succeeded. A nearby plane crash leaves three dead, and multi-millionaire Warren H. Donovan in critical condition. Donovan dies on the table, but his brain is still registering “alpha waves”, and Cory removes it from Donovan’s body, and miraculously keeps it alive!

Cory believes Donovan’s brain still contains all the man’s thoughts and knowledge, and tries to find a way to communicate with it. The brain waves begin to deviate as if it’s still thinking, and after a week it has grown, it’s impulses increasing. The doctor hooks the brain up to a radio set, hoping to receive transmission, and gets more than he bargained for when Donovan’s Brain begins to take over, returning the dead millionaire to life in Cory’s body, taking over his will and becoming the dominant force.

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Lew Ayres does a splendid job as Cory/Donovan in this sci-fi variation on the Jekyll/Hyde theme. Ayres is better known as another doctor, playing Dr. Kildare in a series of MGM films in the late 30’s/early 40’s. There’s no weird makeup or transformation scenes, yet Ayres is convincing playing two distinct parts. The actor was a conscientious objector during WWII, serving as a medic, and his career suffered in those fervent patriotic days because of his stance. Besides the Kildare movies, Ayres appeared in ALL QUIET ON THE WESTERN FRONT (Oscar winner of 1930), IRON MAN (not the superhero, a boxing film with Jean Harlow), STATE FAIR, JOHNNY BELINDA (Best Actor nominee), and THE DARK MIRROR, among many others.

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Nancy Davis is solid in the role of Cory’s faithful wife Jan. She gained a bit more fame when she became the wife of Ronald Reagan, and served as First Lady. Gene Evans (Schratt) was a burly favorite of director Sam Fuller, who cast him in five films. Steve Brodie plays a sleazy, blackmailing photo-journalist who naturally gets his comeuppance. Other Familiar Faces are John Hamilton (SUPERMAN’s‘s Perry White), Tom Powers, Shimen Ruskin, and Harland Warde. Felix Feist wrote and directed, keeping things tense, aided by Joseph Biroc’s photography.

Original novelist Curt Siodmak is well known to classic horror fans as writer of the screenplays for THE WOLF MAN, THE INVISIBLE MAN RETURNS , BLACK FRIDAY, FRANKENSTEIN MEETS THE WOLF MAN, I WALKED WITH A ZOMBIE, and EARTH VS THE FLYING SAUCERS . The brother of noir director Robert Siodmak (THE SPIRAL STAIRCASE, THE KILLERS ), Curt also tried his hand in the director’s chair, though without the success of his brother. Curt helmed the goofy low-budgeter BRIDE OF THE GORILLA (featuring Lon Chaney Jr, Raymond Burr, and Barbara Payton) and the boringest sci-fi I’ve ever watched, THE MAGNETIC MONSTER. As a director, Curt was a great writer!

The novel itself was a best seller, and is referenced in numerous books, movies, and TV shows. No less than Stephen King is a fan, and so am I, having read it when I was a teen. DONOVAN’S BRAIN makes a gripping little film, worth your time to rediscover and enjoy.

 

 

Happy Birthday Robert Mitchum: OUT OF THE PAST (RKO 1947)

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One of my favorite actors, the laconic, iconic Robert Mitchum was born August 6, 1917 in Bridgeport, Connecticut. Rugged Robert had a wandering spirit, riding the rails in the days of the Depression, and even did time on a Georgia chain gang. Mitchum eventually ended up in California , and was bitten by the acting bug. After small roles in Laurel & Hardy comedies and Hopalong Cassidy oaters, Mitchum got noticed in a series of B-Westerns based on the novels of Zane Grey. His big break came as a tough sergeant in 1945’s THE STORY OF G.I. JOE, which he received an Oscar nomination for Best Supporting Actor. But the role that made him a star was world-weary private eye Jeff Bailey in the film noir classic OUT OF THE PAST.

We meet Bailey running a gas station in the small town of Bridgeport, California (an homage to Mitchum’s hometown, perhaps?) He has a mute boy only known as The Kid (Dickie Moore) working for him, and a pretty girlfriend Ann (Virginia Huston). Life is good until old acquaintance Joe Stefano (Paul Valentine) drops by and tells Jeff his ex-employer Whit Sterling (Kirk Douglas) wants to see him. Jeff has Ann drive him to Whit’s estate in Lake Tahoe and relates the story of his past in flashback: His real name is Markham. a former private eye once hired by Whit to find errant girlfriend Kathy Moffat (Jane Greer). Kathy put two slugs in Whit’s gut and absconded with forty grand. But Whit says he doesn’t care about the money, he just wants Kathy back. Jeff tracks her down to Acapulco, and immediately becomes infatuated with her. She plays along, but knows why he’s there. She confesses she did shoot Whit, but didn’t take any money. The two begin their doomed affair (Kathy: “Won’t you believe me?” Jeff: “Baby, I don’t care” as they embrace). Whit and Joe show up and Jeff throws them off the trail.

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Jeff and Kathy wind up in San Francisco, where they’re spotted by Jeff’s former partner Fisher (Steve Brodie), now working for Whit. The couple gets a cabin deep in the woods, but Fisher trails them. The two men duke it out, when Kathy shoots Fisher. She takes off in the car and leaves Jeff  to bury the body…

Flashback over, Ann drops Jeff off at Whit’s. There he discovers Kathy’s “back in the fold”, as Whit puts it. Whit wants to hire Jeff for a new job, obtaining some incriminating tax papers from Whit’s blackmailing attorney Leonard Eels (Ken Niles). Kathy goes to Jeff alone and tries to explain things, but he bitterly tells her to get lost. Jeff’s sent back to San Francisco to meet Eels’ secretary Meta (Rhonda Fleming), and put the plan in play. Sensing a frame-up going on, he tries to warn Eels. When Jeff goes back to Eels apartment later, sure enough, the lawyer’s been killed. Jeff hides the body in the basement. Jeff sneaks over to Kathy’s, and discovers her calling the building manager about Eels. The scheme has failed, and Kathy tells Jeff she was forced to sign an affidavit stating Jeff murdered Fisher, and had to go along with the plan. Jeff obtains the papers from Whit’s club, and Joe and Kathy call Whit, who puts the word out, and Jeff’s now wanted for two murders. Joe is sent by Kathy to follow the Kid to lead him to Jeff. He’s about to shoot Jeff when the Kid snags him with a fishing hook, and Joe falls to a watery grave. Jeff confronts Kathy and Whit, and tells Whit the truth. Returning briefly to Ann, Jeff goes back to Whit’s and finds him shot dead on the floor. Kathy’s running the show now, and is ready to split with Jeff (Kathy: “I think we deserve a break”  Jeff: “We deserve each other”). As she gathers some clothes, Jeff discretely calls the cops. They drive down the highway when Kathy sees a roadblock. Realizing Jeff’s betrayed her, she shoots him. The car careens down the highway as the cops shoot at it, and both Jeff and Kathy wind up dead.

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Pretty bleak stuff. OUT OF THE PAST can get confusing at times, but Mitchum’s the glue that holds it all together. His Jeff Bailey/Markham is tough but vulnerable, smarter than his adversaries, always with a wisecrack on his lips. Robert Mitchum in that trenchcoat and slouch hat became the symbol of a film noir anti-hero. The sleepy-eyed star’s career almost ended in 1948 after a pot bust, but he returned to the screen for almost another half-century. Some of his best (in my opinion) were HIS KIND OF WOMAN (1951), RIVER OF NO RETURN (with Marilyn Monroe, 1954), NIGHT OF THE HUNTER (1955), HEAVEN KNOWS, MR. ALLISON (1957), THUNDER ROAD (1958, where Mitchum even sings the title song!), THE SUNDOWNERS (1960), the original CAPE FEAR (1962), EL DORADO (with John Wayne, 1966), RYAN’S DAUGHTER (1970), and FAREWELL, MY LOVELY (as Phillip Marlowe, 1975). He also starred in the popular 1983 TV-miniseries THE WINDS OF WAR. Robert Mitchum had a long and diverse career as a true Hollywood star, and though he died on July 7, 1997, we still have that tremendous body of work to look back on. OUT OF THE PAST isn’t just one of Mitchum’s best films, it’s a film noir masterpiece that has influenced generations, and will continue to do so as long as there are movies to be made. Happy Birthday, Robert!

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