Breaker One-Nine, Breaker One-Nine, it’s time to put the hammer down with a pair of Trucksploitation flicks from the sensational 70’s! The CB/Trucker Craze came to be because of two things: the gas crisis of 1973 and the implementation of the new 55 MPH highway speed limit imposed by
Big Brother your friendly Federal government. Long-haul truckers used Citizen’s Band radios to give each other updates on nearby fueling stations and speed traps set up by “Smokeys” (aka cops), and the rest of America followed suit.
Country singer C.W. McCall had a massive #1 hit based on CB/trucker lingo with “Convoy”, and the trucker fad was in full swing. There had been trucker movies made before – THEY DRIVE BY NIGHT, THIEVES’ HIGHWAY, HELL DRIVERS, and THE WAGES OF FEAR come to mind – but Jonathan Kaplan’s 1975 WHITE LINE FEVER was the first to piggy-back on the new gearjammer craze. Kaplan was a Roger Corman acolyte who started with films like NIGHT CALL NURSES (and later directed Jodie Foster to an Oscar in THE ACCUSED, based on a real-life incident that happened RIGHT HERE in New Bedford, MA). WHITE LINE FEVER was his first movie for a major studio, and though the budget was still small, it resonated enough with audiences to make it a surprise box office hit.
The late, great Jan-Michael Vincent stars as a returning Vietnam vet who marries childhood sweetheart Kay Lenz and buys himself a big rig (christening it “The Blue Mule”), hoping to live The American Dream. That dream is shattered when Vincent refuses to play ball and haul contraband for his sleazy bosses (including Slim Pickens, L.Q. Jones, and Don Porter), and attempts to unionize his fellow truckers.
Jan-Michael gets blackballed and lands in a whole heap o’trouble before taking matters into his own hands at shotgun point, and there’s lots of 18-wheel action, car crashes, explosions, and other good stuff. Meanwhile, a subplot unfolds when Kay discovers she’s pregnant and considers an abortion, a hot button topic at the time (as I always say, the more things change… ). The Bad Guys set Our Hero up for the murder of Slim, and the trial features a crooked prosecutor (R.G. Armstrong) and crooked witness (John David Garfield, son of the former Warner Brothers star).
Our Hero is acquitted, so The Bad Guys ramp up the nastiness, trashing The Blue Mule, killing his good buddy Pops (Sam Laws), and beating Jan-Michael and Kay severely, then burning their house down! Vindictive bastards! Kay loses the baby (conveniently skirting that pesky abortion issue) and is told she can never have children, so Jan-Michael’s had just about enough, leading to a slam-bang smash-up finale with Our Hero vs Porter’s Evil Empire, going down in an Exploitation Blaze of Glory!
Reportedly, WHITE LINE FEVER is where Jan-Michael Vincent was first introduced to cocaine, a drug that swiftly sent him on a personal downward spiral (I can relate!). He did some excellent work in movies and TV during the 70’s and 80’s, but sadly drugs and alcohol held him back from realizing his full potential. Beautiful Kay Lenz was a personal favorite of mine for films like BREEZY and THE GREAT SCOUT & CATHOUSE THURSDAY (and the Rod Stewart video “Infatuation” , directed by Kaplan) who remains active today, mostly in episodic TV. And besides those previously mentioned, the ubiquitous Dick Miller has a small role as one of Jan-Michael’s fellow haulers; Kaplan and Miller pay tribute to their mentor by naming Dick’s character ‘Birdie’ Corman, who drives a rig called ‘The Brat’!
And now let’s hit the snack bar before our next feature…
Everybody loaded up on popcorn? Good, because next up is pure popcorn movie bliss, 1978’s HIGH-BALLIN’…
This underrated little Trucksploitation flick came out at the height of the CB/Trucker craze, and stars SMOKEY & THE BANDIT’s Jerry Reed as an independent trucker battling another Evil Empire… this time a trucking magnate (Chris Wiggins) who wants to force the indies out of business and work for him. Enter Jerry’s good ol’ buddy Peter Fonda , who first appears riding up to the truck stop on a motorcycle because… well, because he’s Peter Fonda!
There’s plenty of exciting action to be found in this Canadian-made entry, and I especially enjoyed the scene where Jerry and Peter are being chased by bad guys down the highway while hauling a load of stock cars – you can’t get much more redneck than that, good buddy! HIGH-BALLIN’ also costars the sexy-cute and extremely underrated Canadian actress Helen Shaver as Pickup, a tough truck drivin’ chick (who shares the obligatory 70’s sex scene with Fonda). David Ferry (Detective Dolly of THE BOONDOCK SAINTS) is on hand as psycho henchman Harvey, who winds up in a cowboy-style showdown with Fonda at the film’s conclusion. Keep an eye out for Canadian actors Harvey Atkin (TV’s CAGNEY & LACEY) and Michael Ironside (SCANNERS, V: THE FINAL BATTLE, TOP GUN) in minor roles.
HIGH-BALLIN’ may be low-budget, mindless entertainment, but it’s good for what it is, with lots of action, trucker lingo (“Keep the shiny side up, keep the greasy side down”), and likable performances from Fonda, Reed, Shaver, and young Chris Langevin (who now works as a prop man) as Reed’s son Tanker, a rare instance where the little kid isn’t annoying in one of these action flicks. So keep the bears away from your back doors as you leave the drive-in while we listen to C.W. McCall’s smash “Convoy”, from the glory days when Kenworths and Peterbilts ruled the roads – and the screens!:
That’s a Big 10-7 from me, Good Buddies!