Once upon a time, there was a pretty young actress named Marilyn Chambers. She had a fresh, wholesome quality about her, and did some bits parts and modeling gigs. One was as the decent young mom holding her pride and joy baby on the box of Ivory Snow, the detergent that claimed it was 99 1/4% pure. But no acting jobs were forthcoming, so Marilyn found herself in a porn flick called BEHIND THE GREEN DOOR, which became a sensation…
… as did young Marilyn, though she longed to be taken as a serious actress in mainstream films.
Around the same time, there was a young Canadian director named David Cronenberg. He was making a name for himself in the horror field with films like CRIMES OF THE FUTURE (1970) and SHIVERS (1975)…
… but though a few critics admired his work, most dismissed him as just another Grindhouse hack. For young David’s movies were of the “body horror” school, filled with gore, grossness, and a lot of sex, not to mention a very low budget. He had an idea for a movie titled RABID, and wanted to cast Sissy Spacek, fresh off her lead in CARRIE, in the starring role. But the producers balked at casting Sissy and her Texas accent in a Canadian film, so young David searched far and wide, finally choosing young Marilyn as his nominal star. Marilyn was grateful to finally have the lead in a mainstream film, and they lived happily ever after.
Well, not really. Cronenberg went on to THE DEAD ZONE, THE FLY remake, A HISTORY OF VIOLENCE, and a great career, while Marilyn went back to porn with 1980’s INSATIABLE and other hard-and-softcore delights before her way-too-early death in 2009 at age 57. RABID shows she could act, if not on a par with Hepburn or Meryl Streep. Still, she was more than competent in this creepy little thriller as Rose, who’s involved in an horrific motorcycle crash with her boyfriend Hart (Frank Moore). Fortunately (or unfortunately, as it turns out), the accident occurs near the Keloid Clinic for Plastic Surgery. Rose is put back together using an experimental method of skin grafting, resulting in her growing a monstrous blood-sucking appendage in her arm pit (which pops out of what suspiciously looks like a certain part of the female anatomy!).
Rose begins infecting people with a mysterious virus that turns it’s victims into mouth-foaming, blood-lusting maniacs. Soon the entire city of Montreal is under siege by the zombie-like creatures, and martial law is declared with orders of shoot to kill. Oh, Canada! Rose continues infecting people, including an iconic scene where she enter a porn theater and is hit on by a leisure-suited perv. Bad idea, perv! (The film playing is called MODELS FOR PLEASURE, and I’m unsure if it’s a real movie or not. I can’t find any info on it… any readers out there heard of it?) When Rose leaves the theater, she walks past another movie palace. The film showing there? CARRIE!
RABID showcases Cronenberg’s trademark black humor, as well as his penchant for gruesomeness. It also features a good turn by character actor Joe Silver as the sympathetic business partner of Dr. Keloid (Howard Ryshpan, who also ends up infected in a wild operating room scene). The film helped put David Cronenberg on the map, due in large part to the novelty of having Marilyn Chambers in a straight role (though she does have her share of topless scenes, praise Jesus!). Any fans of David Cronenberg, the lovely Miss Chambers, or good ol’ 70’s Grindhouse gore will be more than satiated by viewing RABID.