Rockin’ in the Film World #11: HAVING A WILD WEEKEND (Warner Brothers 1965)

For those of you who weren’t around during the heyday of the 60’s British Invasion, The Dave Clark Five were second only to The Beatles in popularity. The group came hot on the heels of The Fab Four, appearing on Ed Sullivan for two straight weeks, and had a solid string of hits from 1964 to 1967: “Glad All Over”, “Bits & Pieces”, “Because”, “Any Way You Want It”, “Over & Over”. Yes, they were BIG, folks!  Propelled by Clark’s up-front drumming and lead singer Mike Smith’s growling vocals, The Dave Clark Five had the teenyboppers screaming in the aisles, and since A HARD DAY’S NIGHT was a smashing success, a movie starring the boys was the next logical step.

Director John Boorman

HAVING A WILD WEEKEND begins like it’s going to be a clone of that film, then turns into something completely different thanks to first-time director John Boorman, who would later give us POINT BLANK , DELIVERANCE, EXCALIBUR, and HOPE AND GLORY. Boorman sets the conventional 60’s rock film on its ear with his skewering of social conventions, sexual mores, the advertising world and the price of celebrity. Boorman’s debut is a lot bolder than something like HOLD ON (Herman’s Hermits), or even A HARD DAY’S NIGHT, and though The DC5 have long left the scene, this is a movie that can be enjoyed on its own merit.

The band play a group of “stuntboys” doing commercial work with the face of the day, model Dinah (Barbara Ferris of CHILDREN OF THE DAMNED). She’s the spokesmodel for the meat industry, with her face plastered all over England in a “Meat for Go!” ad campaign. Stuntboy Steve (Clark, a former stuntboy himself) is bored with the whole thing, and he and Dinah take off in a spiffy Jag, heading for the coast of Devon where she’s planning to buy her own personal island to get away from it all, pursued by ad exec Leon’s minions.

Their adventure takes the couple to a deserted village where they meet up with a scraggly bunch of proto-hippies who ask if they’ve got any “spliffs” or “horse”. The village is being used for maneuvers by the British Army, who start bombing the hell out of the place, forcing Steve and Dinah to split the scene on foot. They thumb a ride from a pair of upper-class dilettantes (Yootha Joyce, Robin Bailey), who try separately to seduce the youngsters, than take them to a costume party with a classic film theme, with the attendees dressed as Groucho Marx, Jean Harlow, Frankenstein’s Monster, Charlie Chaplin, and Laurel & Hardy, among others!

Steve and Dinah finally make it to her island paradise, only to discover it no longer remains an island when the tide goes out. Leon is there waiting for them, along with the press, having planted a story of Dinah being kidnapped. Soon she’s swept up in all the publicity and hoopla, and Steve, realizing the journey always far outweighs the destination, takes off with his stuntboy brethren for sunny Spain.

The DC5’s hit “Catch Us If You Can” serves as the theme song, and was the movie’s UK title. Other songs interspersed into the movie are “Having a Wild Weekend”, “Sweet Memories”, “Time”, “On the Move”, “When”, “Ol’ Sol”, “I Can’t Stand It”, and “Move On”. The Dave Clark Five didn’t have the personalities of The Beatles or The Stones, nor did they move forward musically as the decade progressed, but for a three-year span they were on top of the pop world, and HAVING A WILD WEEKEND is a true 60’s time capsule of Swingin’ London. Even if you’re not familiar with them, the film’s worth watching for Boorman’s neo-realistic take on pop culture. They were inducted into the Rock and Roll Hall of Fame in 2008, and rightly so. I’ll leave you with one of my favorite DC5 songs, “Because”, from a 1964 Ed Sullivan appearance:

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