1939 has been proclaimed by many to be Hollywood’s Greatest Year. I could make a case for 1947, but I won’t go there… for the moment. Be that as it may, 1939 saw the release of some true classics that have stood the test of time, including in the Western genre: DESTRY RIDES AGAIN, JESSE JAMES, STAGECOACH , and UNION PACIFIC. One that doesn’t get a lot of attention anymore is DODGE CITY, the 5th screen pairing in four years of one of Hollywood’s greatest romantic duos, heroic Errol Flynn and beautiful Olivia de Havilland.
DODGE CITY was Warner Brothers’ biggest hit of 1939, and the 6th highest grossing picture that year, beating out classics like GOODBYE MR. CHIPS, GUNGA DIN, NINOTCHKA, and THE WIZARD OF OZ. It’s a rousing actioner with plenty of romance and humor thrown in, shot in Glorious Technicolor by Warners’ ace director Michael Curtiz . And with a cast that includes Errol, Olivia, Ann Sheridan, Alan Hale, Guinn “Big Boy” Williams, and a trio of Hollywood’s orneriest baddies (Bruce Cabot, Victor Jory, Douglas Fowley), it’s hard not to love this exciting sagebrush saga!
The railroad comes to Kansas, bringing progress and prosperity to the frontier town of Dodge City. Handsome Wade Hatton (Errol, of course!) and his pardners Rusty and Tex (Hale, Williams) have cleared the territory of buffalo years before, as well as clearing it of buffalo poachers Jeff Surrett (Cabot) and his henchmen Yancey (Jory) and Munger (Fowley). Now Wade’s leading a combination cattle drive/wagon train from Texas to Dodge, including beautiful young Abbie Irving (Olivia) and her wastrel brother Lee (William Lundigan), whose drunken shooting causes a cattle stampede to trample him, and Abbie blames Wade for it.
Meanwhile, back in Dodge, Surrett and his goons have turned the town into a lawless jungle of “gambling, drinking, and killing”, with his saloon girl Ruby (Sheridan) by his side. Surrett’s reign of terror has made Dodge the most lawless town in the West, until old rival Wade pulls into town, gets himself elected sheriff, and rounds up all the rowdies into the hoosegow. Surrett’s not licked yet though, but when Wade’s young pard Harry (child star Bobs Watson) is caught in a crossfire and dragged by horses to his death, the kid gloves come off…
It all culminates in an exciting climax aboard a burning railway car, and it’s not a spoiler to tell you the good guys emerge victorious, and Errol and Olivia live happily ever after! DODGE CITY serves as the template for many a Western to come, and Curtiz does his usual fine job in handling both the actors and the action. Some of the highlights include Hale swearing off liquor (!!!) and joining a Ladies’ Pure Prairie League meeting while a knock-down, drag-out saloon brawl rages on next door; the shadowy murder of crusading newspaper editor Frank McHugh ; and the aforementioned stampede, horse-dragging, and fiery finale. All of it brilliantly captured in Technicolor by Sol Polito and set to a typically majestic Max Steiner score!
And you want Familiar Faces? DODGE CITY has ’em in droves: classic era actors like Clem Bevans (the town barber), Monte Blue, Ward Bond (who has a good scene as one of Cabot’s henchmen), Wally Brown , George Chesebro, Chester Clute, Joseph Crehan, Thurston Hall (the railroad man), Charles Halton (Surrett’s weaselly lawyer), Gloria Holden (sympathetic as the little boy’s mom), Milton Kibbee, John Litel, Henry O’Neill (Col. Dodge himself!), Renie Riano (leader of the Pure Prairie League!), Russell Simpson, Henry Travers (as Olivia’s uncle), Cora Witherspoon, and others too numerous to mention!
Errol shines in his first of many Westerns to come, Olivia is more than a match for him, Hale and Williams are always welcome, Sheridan gets to belt a couple of tunes, Bobs Watson does his crying thing, the bad guys are totally hissable, and there’s enough material here for at least a half dozen other Westerns! DODGE CITY may not get as much love as other 1939 hits, but it deserves it’s place as one of the all-time greats.